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Levels of presence in the drama text: Between close and distant reading1
Orbis Litterarum, Volume 78, Issue 5, Page 401-420, October 2023., 2023 Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
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German Life and Letters, Volume 76, Issue 3, Page 392-409, July 2023., 2023 ABSTRACT This article will examine the representation of religion in Anna Seghers’ radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses to communicate this feature to modern ...
Cordula Böcking
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Female Representation and Violence in the Ceremonial Entries of the Italian Wars
Renaissance Studies, Volume 36, Issue 5, Page 750-768, November 2022., 2022 Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
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Orbis Litterarum, Volume 76, Issue 6, Page 278-289, December 2021., 2021 Abstract This essay discusses two early encounters of theater that took place in different parts of the world at approximately the same time: in the German‐speaking countries in Europe and on the islands of Japan in Asia during the second half of the sixteenth century and the first decades of the seventeenth century. In both cases a particular kind of “
Erika Fischer‐Lichte
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Acromegaly, Mr Punch and caricature. [PDF]
, 1996 The origin of Mr Punch from the Italian Pulcinella of the Commedia dell'arte is well known but his feature, large hooked nose, protruding chin, kyphosis and sternal protrusion all in an exaggerated form also suggest the caricature of an acromegalic. This
Armstrong R +20 more
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A parody of action: Politics and pantomime in Agamben's critique of Arendt
, 2022 Constellations, Volume 29, Issue 4, Page 404-416, December 2022.
Sergei Prozorov
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Trans/Form/Ação, 2001 Il segreto della commedia dell'arte è stato nel paradosso di Maschera e Improvvisazione, Tipo Fisso e Testo Variabile, Conservazione e Innovazione. Per questo è stato nei secoli esaltata o denigrata: considerata reazionaria dalla Rivoluzione francese e ...
Roberto Cuppone
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‘The Spanish seignor’ or the transnational peregrinations of an anti‐Hispanic Dutch broadsheet
, 2022 Renaissance Studies, Volume 36, Issue 1, Page 46-64, February 2022.
Yolanda Rodríguez Pérez
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Komedia dell'arte: między lokalnością a globalnością
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017 Commedia dell’arte: between localism and globalism Abstract Subject to the present review is Lokalność i mobilność kulturowa teatru. Śladami Arlekinai Pulcinelli of Ewa Bal.
Aleksandra Koman
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Antropologia e Teatro, 2021 Starting point of the article’s thesis is the author's personal experience of theatrical practice and contact with other theatrical cultures, especially in Asia and, even more, in Japan.
Fabio Mangolini
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