Results 21 to 30 of about 5,512 (161)

Las harpías en Madrid y coche de las estafas, de Castillo Solórzano: entre novela y puesta en escena

Edad de Oro, 2018
Este artículo se propone estudiar la colección de novelas cortas titulada Las harpías en Madrid y coche de las estafas, de Alonso de Castillo Solórzano.
Luana Bermúdez
doaj   +1 more source

The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni

Konservatoryum
The study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
doaj   +1 more source

Three Plays by Austin Clarke and the Commedia Tradition

Studi Irlandesi, 2011
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
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Commedia dell’arte și grummelot-ul

Symbolon, 2020
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
doaj  

Truffaldino - sługa dwóch żołądków

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017
Truffaldino – servant of two stomachs Abstract The article treats about the relationship between one of Carlo Goldoni’s first plays – Servantof Two Masters – and the tradition of commedia dell’arte.
Paulina Kwaśniewska-Urban
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Rhetorik und Schriftbildlichkeit von literarischen Pantomimen

Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.
Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
wiley   +1 more source

Comicidade e Comedia dell´Arte: Texto de Abertura

Conceição/Conception, 2017
Esse número abarca estudos relacionados ao cômico como, por exemplo, a dimensão da linguagem clownesca e do bufão, assim como abordagens que se utilizam da máscara mesmo que não restritas ao próprio gênero ligado ao riso.
Vilma Campos Leite
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Gennaro Sacco, słynny Coviello, i jego trzy sztuki

Pamiętnik Teatralny, 2023
This article analyzes three plays published by Gennaro Sacco, a dell’arte actor-playwright who visited the Polish royal court in 1699. Sacco became famous for his role as Coviello.
Jolanta Dygul
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The Italian influence in three of Molière's plays [PDF]

, 1934
Thesis (M.A.)--Boston ...
Woodworth, Mary Justine
core   +1 more source

Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆

Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.
Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley   +1 more source