Results 11 to 20 of about 15,082 (157)
What is Commedia dell’Arte Today? A Review Essay [PDF]
, 2019 This essay reviews seven recent volumes on the commedia dell'arte: Christopher B. Balme, Piermario Vescovo, and Daniele Vianello's edited volume Commedia dell’Arte in Context (2018); Judith Chaffee and Oliver Crick's edited The Routledge Companion to ...
Pavel Drábek
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Diasporic Transgressions of Commedia dell’arte [PDF]
Caietele Echinox, 2023 Ever since its “birth certificate” on February 25, 1545, Commedia dell’arte’s substantial resources of itineracy, improvisation, subversion, extraterritoriality, extemporaneity, laughter, and joy have unceasingly unveiled their essential mutability and ...
Gabriel C. Gherasim
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Papeles y melindres: La guarda cuidadosa de Cervantes y la Commedia dell’arte
Anales CervantinosEn el marco de las relaciones italianas de Cervantes, en este trabajo se propone la posible conexión entre dos pasajes de La guardia cuidadosa con sendas escenas de la Commedia dell’arte, que se encuentran en forma desarrollada respectivamente en las ...
Adrián J. Sáez
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Levels of presence in the drama text: Between close and distant reading1
Orbis Litterarum, Volume 78, Issue 5, Page 401-420, October 2023., 2023 Abstract Digital studies of drama have tended to emphasise the written text and network analyses. As theatre scholars, we have approached the field from a different perspective by focusing on levels of presence. This includes the embodied presence of not only the speaking characters, but also the non‐speaking characters and the imagined characters ...
Ulla Kallenbach, Anna Lawaetz
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German Life and Letters, Volume 76, Issue 3, Page 392-409, July 2023., 2023 ABSTRACT This article will examine the representation of religion in Anna Seghers’ radio play Der Prozess der Jeanne d'Arc zu Rouen 1431 (1937) and Bertolt Brecht's subsequent adaptation of this text for the stage (1952). While religiosity is central to the identity of the medieval heroine, Seghers chooses to communicate this feature to modern ...
Cordula Böcking
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Female Representation and Violence in the Ceremonial Entries of the Italian Wars
Renaissance Studies, Volume 36, Issue 5, Page 750-768, November 2022., 2022 Abstract This essay considers the gendered implications of female representation in the ceremonial entries of the Italian Wars (1494–1559) in light of the events' hyper‐masculine martial context. It takes a holistic approach, uncommon in entry scholarship, by considering the thematic intersections between entry decorations, participation, performance ...
Elizabeth Reid
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Orbis Litterarum, Volume 76, Issue 6, Page 278-289, December 2021., 2021 Abstract This essay discusses two early encounters of theater that took place in different parts of the world at approximately the same time: in the German‐speaking countries in Europe and on the islands of Japan in Asia during the second half of the sixteenth century and the first decades of the seventeenth century. In both cases a particular kind of “
Erika Fischer‐Lichte
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A commedia dell'arte e sua reoperacionalização The Commedia dell'arte and his reoperation
Trans/Form/Ação, 2001 Análise da commedia dell'arte a partir de uma perspectiva histórico-crítica, enfatizando-se as várias maneiras de sua apropriação no século XX. Partindo de elementos da commedia dell'arte, serão ressaltados os temas da migração do teatro de praça para o ...
José Eduardo Vendramini
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Issues in Review: New Developments in Commedia Research: The Commedia dell'Arte: New Perspectives and New Documents [PDF]
, 2008 Introduction to "Issues in Review: New developments in commedia research", 141-240, guest editor M A Katritzky. The first of six articles in this section, it introduces the five further articles, by Maria Ines Aliverti (158-180), Rosalind Kerr (181-197),
Katritzky, M. A.
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