Results 31 to 40 of about 15,082 (157)

Commedia dell’arte și grummelot-ul

Symbolon, 2020
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
doaj  

Three Plays by Austin Clarke and the Commedia Tradition

Studi Irlandesi, 2011
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
doaj   +1 more source

Conflict and slapstick in Commedia dell’Arte – The double act of Pantalone and Arlecchino [PDF]

, 2013
This article will explore the centrality of conflict to the slapstick comedy of Commedia dell’Arte. Commedia flourished for over 200 years in Italy and throughout Europe.
Peacock, Louise
core   +1 more source

Tipologie femminili nella Commedia dell’Arte

Il castello di Elsinore, 2020
The presence of the female characters is the main feature of the professional theatre during the 16th and 17th centuries. Some of the actress built their fame through the uninhibited use of their body, some others through literature and painting.
Siro Ferrone
doaj   +1 more source

Rhetorik und Schriftbildlichkeit von literarischen Pantomimen

Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.
Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
wiley   +1 more source

Truffaldino - sługa dwóch żołądków

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017
Truffaldino – servant of two stomachs Abstract The article treats about the relationship between one of Carlo Goldoni’s first plays – Servantof Two Masters – and the tradition of commedia dell’arte.
Paulina Kwaśniewska-Urban
doaj   +1 more source

Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆

Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.
Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley   +1 more source

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

A relevância da mulher/atriz no teatro na Commedia dell´Arte.

Cena
O artigo trata da Commedia dell’Arte com foco na obra La Mirtilla da atriz e dramaturga Isabella Andreini. Essa peça é escolhida para fazer uma análise acerca de questões relacionadas ao sexo feminino, e de críticas sociais que a atriz faz às imposições
FREDERICK Hunzicker, DIANA FELICORI
doaj   +3 more sources

Gennaro Sacco, słynny Coviello, i jego trzy sztuki

Pamiętnik Teatralny, 2023
This article analyzes three plays published by Gennaro Sacco, a dell’arte actor-playwright who visited the Polish royal court in 1699. Sacco became famous for his role as Coviello.
Jolanta Dygul
doaj   +1 more source