Results 31 to 40 of about 14,713 (119)

Commemorating Festive Performances in Popular Print in Sixteenth‐Century Italy☆

Renaissance Studies, Volume 39, Issue 5, Page 632-657, November 2025.
Abstract The aim of this article is to show that the popular print sold and distributed during and after festive events, such as Carnival, had an impact on the commemoration and shaping of festive culture in early modern Italy. That is, the mass medium of print that had begun to shape European cultures, especially in Italy where Venice was one of ...
Rozanne Versendaal
wiley   +1 more source

A relevância da mulher/atriz no teatro na Commedia dell´Arte.

Cena
O artigo trata da Commedia dell’Arte com foco na obra La Mirtilla da atriz e dramaturga Isabella Andreini. Essa peça é escolhida para fazer uma análise acerca de questões relacionadas ao sexo feminino, e de críticas sociais que a atriz faz às imposições
FREDERICK Hunzicker, DIANA FELICORI
doaj   +3 more sources

Cognitive Theories of Galant Music at the Margins of Experience

Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.
ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
wiley   +1 more source

Conflict and slapstick in Commedia dell’Arte – The double act of Pantalone and Arlecchino [PDF]

, 2013
This article will explore the centrality of conflict to the slapstick comedy of Commedia dell’Arte. Commedia flourished for over 200 years in Italy and throughout Europe.
Peacock, Louise
core   +1 more source

THE INFLUENCE OF BRIGITTE REIMANN'S FRANZISKA LINKERHAND ON THE POLITICAL SONGS OF GERHARD GUNDERMANN

German Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.
ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
wiley   +1 more source

La riforma dell’arte drammatica e i suoi protagonisti: Baron e Adrienne Le Couvreur e l’influenza della Commedia dell’Arte nell’evoluzione della declamazione tragica settecentesca

Itinera, 2011
La riforma dell’arte drammatica nel primo Settecento francese trova in Baron e in Adrienne Le Couvreur, attori della Comédie Française, due protagonisti d’eccezione.
Alessia Gennari
doaj   +1 more source

Vincenza Armani

Drammaturgia, 2020
Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century ...
Eloisa Pierucci
doaj   +1 more source

Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy

Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.
Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
wiley   +1 more source

Costume Design for \u3cem\u3eVolpone\u3c/em\u3e by Ben Jonson [PDF]

, 2017
This poster presentation provides information about my final design for the Linfield College Theatre Program’s Costume Design course taught by Laurel Peterson during the 2016 fall semester.
Olson, Rosalie S.
core   +1 more source

‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies

Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.
Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
wiley   +1 more source