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Global Art Collectives and Exhibition Making

open access: yesArts, 2022
Art collectives come into existence for many reasons, whether to collaborate on art making or to generate a space for contemporary art outside of the established channels of exhibition and the art market.
John Zarobell
doaj   +1 more source

Curation, curation, curation [PDF]

open access: yesProceedings of the 3rd Narrative and Hypertext Workshop, 2013
The media curation craze has spawned a multitude of new sites that help users to collect and share web content. Some market themselves as spaces to explore a common interest through different types of related media. Others are promoted as a means for creating and sharing stories, or producing personalized newspapers.
Wolff, Annika, Mulholland, Paul
openaire   +1 more source

Azamba publics: containment, care and curating in the “expanded private sphere”

open access: yesJournal of Aesthetics & Culture, 2022
The lack of space, movement and even breath afforded to many communities cuts across seemingly mobile life trajectories, constraining and constricting even (and often especially) the movement of people across and within transnational borders. How do arts
Victoria Mponda, Janna Graham
doaj   +1 more source

Curatorial Ethics and Indeterminacy of Practice

open access: yesPhilosophies, 2020
This article defines “curatorial ethics” as a notion that has to be configured and constantly revisited by an independent curator throughout her practice.
Sasha Burkhanova-Khabadze
doaj   +1 more source

Knowledge archaeology on relations between the Venice Architecture Biennale (1980–2018) and the Pritzker Architecture Prize (1979–2019)

open access: yesJournal of Asian Architecture and Building Engineering, 2022
This paper used a philosophy method called knowledge archaeology to identify the relations between the Venice Architecture Biennale and the Pritzker Architecture Prize.
Gangwei Cai   +5 more
doaj   +1 more source

Data curation + process curation=data integration + science [PDF]

open access: yesBriefings in Bioinformatics, 2008
In bioinformatics, we are familiar with the idea of curated data as a prerequisite for data integration. We neglect, often to our cost, the curation and cataloguing of the processes that we use to integrate and analyse our data. Programmatic access to services, for data and processes, means that compositions of services can be made that represent the ...
Goble, Carole   +4 more
openaire   +4 more sources

Curating Ocean Ecology at the Natural History Museum: Miranda Lowe and Richard Sabin in conversation with Pandora Syperek and Sarah Wade

open access: yesScience Museum Group Journal, 2020
The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This
Sarah Wade   +3 more
doaj   +1 more source

Exhibiting and Auctioning Yuanmingyuan ("Summer Palace") Loot in 1860s and 1870s London: The Elgin and Negroni Collections

open access: yesJournal for Art Market Studies, 2018
This article examines the exhibitions and sales of Yuanmingyuan (or ‘Summer Palace’) loot taken from China in October 1860 by two soldiers in the Anglo-French armies – James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de Negroni (b.1820).
Louise Tythacott
doaj   +1 more source

Curated databases

open access: yesProceedings of the twenty-seventh ACM SIGMOD-SIGACT-SIGART symposium on Principles of database systems, 2008
Curated databases are databases that are populated and updated with a great deal of human effort. Most reference works that one traditionally found on the reference shelves of libraries -- dictionaries, encyclopedias, gazetteers etc. -- are now curated databases.
Buneman, Peter   +3 more
openaire   +3 more sources

Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial

open access: yesOBOE, 2021
The rise of more critical and radical political debates has made museums intensely risk-averse such that self-regulation, self-censorship, and most importantly pure self-preservation have become the foundations of museum operations. Whereas the 1990s and
Jens Hoffmann
doaj   +1 more source

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