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Global Art Collectives and Exhibition Making
Art collectives come into existence for many reasons, whether to collaborate on art making or to generate a space for contemporary art outside of the established channels of exhibition and the art market.
John Zarobell
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Curation, curation, curation [PDF]
The media curation craze has spawned a multitude of new sites that help users to collect and share web content. Some market themselves as spaces to explore a common interest through different types of related media. Others are promoted as a means for creating and sharing stories, or producing personalized newspapers.
Wolff, Annika, Mulholland, Paul
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Azamba publics: containment, care and curating in the “expanded private sphere”
The lack of space, movement and even breath afforded to many communities cuts across seemingly mobile life trajectories, constraining and constricting even (and often especially) the movement of people across and within transnational borders. How do arts
Victoria Mponda, Janna Graham
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Curatorial Ethics and Indeterminacy of Practice
This article defines “curatorial ethics” as a notion that has to be configured and constantly revisited by an independent curator throughout her practice.
Sasha Burkhanova-Khabadze
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This paper used a philosophy method called knowledge archaeology to identify the relations between the Venice Architecture Biennale and the Pritzker Architecture Prize.
Gangwei Cai +5 more
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Data curation + process curation=data integration + science [PDF]
In bioinformatics, we are familiar with the idea of curated data as a prerequisite for data integration. We neglect, often to our cost, the curation and cataloguing of the processes that we use to integrate and analyse our data. Programmatic access to services, for data and processes, means that compositions of services can be made that represent the ...
Goble, Carole +4 more
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The current ecological crisis and the call to decolonise museums can be catalysts for change, manifested both physically through exhibitions or redisplays of historical collections and conceptually through new curatorial approaches or interventions. This
Sarah Wade +3 more
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This article examines the exhibitions and sales of Yuanmingyuan (or ‘Summer Palace’) loot taken from China in October 1860 by two soldiers in the Anglo-French armies – James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de Negroni (b.1820).
Louise Tythacott
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Curated databases are databases that are populated and updated with a great deal of human effort. Most reference works that one traditionally found on the reference shelves of libraries -- dictionaries, encyclopedias, gazetteers etc. -- are now curated databases.
Buneman, Peter +3 more
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Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial
The rise of more critical and radical political debates has made museums intensely risk-averse such that self-regulation, self-censorship, and most importantly pure self-preservation have become the foundations of museum operations. Whereas the 1990s and
Jens Hoffmann
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