Results 51 to 60 of about 3,930,421 (359)
Applications of system dynamics modelling to computer music
, 2000 Based on a composer's psycho-acoustic imagination or response to music, system dynamics modelling and simulation tools can be used as a scoring device to map the structural dynamic shape of interest of computer music compositions.
IAN WHALLEY, Whalley, Ian
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Conductor gestures influence evaluations of ensemble performance
Frontiers in Psychology, 2014 Previous research has found that listener evaluations of ensemble performances vary depending on the expressivity of the conductor’s gestures, even when performances are otherwise identical.
Steven eMorrison +3 more
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Plateformes de billetterie : une nouvelle étape dans l’industrialisation de la musique vivante ?
Communiquer, 2022 Important industrial movements are at work within live music in France, and those are articulated around ticketing platforms. There is a process of industrializing the sector, which appeared quite clearly through the three industrializing trends of ...
Philippe Bouquillion +2 more
doaj +1 more source
Spatiotemporal brain dynamics during recognition of the music of Johann Sebastian Bach
, 2020 Music is a universal non-verbal human language, built on logical structures and articulated in balanced hierarchies between sounds, offering excellent opportunities to explore how the brain creates meaning for complex spatiotemporal auditory patterns ...
L. Bonetti +10 more
semanticscholar +1 more source
A view of computer music from New Zealand: Auckland, Waikato and the Asia/Pacific connection
, 2001 Dealing predominantly with ‘art music’ aspects of electroacoustic music practice, this paper looks at cultural, aesthetic, environmental and technical influences on current and emerging practices from the upper half of the North Island of New Zealand. It
Dart, William +2 more
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On Tonal Dynamics and Musical Meaning
Signata, 2015 In this paper, I explore the logic of tones, as it is expressed in tonal music, in the sense of music based on scales, chords, and phrases, all consisting of tones, that is, the musical sounds we now write as ‘notes’.
Per Aage Brandt
doaj +1 more source
Music & ScienceSegmenting continuous sensory input into coherent segments and subsegments is an important part of perception. Music is no exception. By shaping the acoustic properties of music during performance, musicians can strongly influence the perceived ...
C. Guichaoua +2 more
semanticscholar +1 more source
Embodying Dynamical Systems in Music Performance
Music Performance Research, 2023 The present contribution introduces a theoretical framework to explore music performance from a perspective inspired by the conceptual resources of two orientations known as Dynamical System Theory and Embodied Cognitive Science. We discursively elaborate on how music performance might be conceived of as a complex, multi-component system that deals ...
Nijs, Luc +3 more
openaire +5 more sources
, 2009 Composers, musicians and computer scientists have begun to use software-based agents to create music and sound art in both linear and non-linear (non-predetermined form and/or content) idioms, with some robust approaches now drawing on various ...
Whalley, Ian
core +1 more source
Frontiers in Psychology, 2019 To analyze how emotions and imagery are shared, processed and recognized in Guided Imagery and Music, we measured the brain activity of an experienced therapist (“Guide”) and client (“Traveler”) with dual-EEG in a real therapy session about potential ...
J. Fachner +6 more
semanticscholar +1 more source