Results 91 to 100 of about 116,179 (175)

Panofsky (Erwin). Abbot Suger, on the abbey church o f St-Denis and its art treasures

open access: yes, 1948
Brigode Simon. Panofsky (Erwin). Abbot Suger, on the abbey church o f St-Denis and its art treasures. In: Revue belge de philologie et d'histoire, tome 26, fasc. 3, 1948. pp.
Brigode, Simon
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VENCER A MORTE: UMA LEITURA CRÍTICA DE DA MORTE. ODES MÍNIMAS, DE HILDA HILST

open access: yesTravessias, 2011
The aim of the present work is to investigate the book Da morte. Odes mnimas (1980) by Hilda Hilst (1930-2004), considering the treatment given to the death matter.
Maria Luísa Carneiro Fumaneri
doaj  

Philologue, linguiste, écrivain. L’historien selon Ernst Cassirer et Erwin Panofsky

open access: yes
International audienceReader, writer, poet, philologist and linguist are some of the ways Ernst Cassirer and Erwin Panofsky describe the great historian.
Rieber, Audrey
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Panofsky (Erwin). Peinture et dévotion en Europe du Nord à la fin du Moyen Âge

open access: yes, 1997
Vincent Catherine. Panofsky (Erwin). Peinture et dévotion en Europe du Nord à la fin du Moyen Âge. In: Archives de sciences sociales des religions, n°100, 1997. pp.
Vincent, Catherine
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Envy's pathology: Historical contexts. [PDF]

open access: yesWellcome Open Res, 2017
Minou L.
europepmc   +1 more source

Albrecht Dürer between Heinrich Wölfflin and Erwin Panofsky: notes on a double reading

open access: yes
reservedLa tesi ha come obiettivo il confronto fra le due differenti letture di Heinrich Wölfflin e Erwin Panofsky rispetto alla vita e all'opera di Albrecht Dürer, avendo come riferimento principale le monografie Albrecht Dürer di Heinrich Wölfflin
ALARIO, FRANCESCA TERESA
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Panofsky (Erwin). Hercules am Scheidewege (und andere antike Bildstoffe in der neueren Kunst)

open access: yes, 1931
Picard Charles. Panofsky (Erwin). Hercules am Scheidewege (und andere antike Bildstoffe in der neueren Kunst). In: Revue des Études Grecques, tome 44, fascicule 208, Octobre-décembre 1931. pp.
Picard, Charles
core  

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