Results 51 to 60 of about 331 (201)

“The khomus is my red deer on which I fly through the middle world” (Khomus in the shamanic practice of Tuva: Research issues)

Новые исследования Тувы, 2017
The author first got acquainted with Tuvan music in 1991, at the 2nd International Congress of Jew’s Harp Music in Yakutia, Russia. Among other ethnomusical bands from Russia’s various regions and CIS states, the Tuvan band stood out with its special ...
Leo Tadagawa
doaj   +1 more source

Contemporary urban folk music in the Balkans: Possibilities for regional music history [PDF]

Muzikologija, 2018
Starting with Maria Todorova’s landmark study Imagining the Balkans (Todorova 1997), numerous authors have raised their voices against stereotypical images of the Balkans.
Dumnić-Vilotijević Marija
doaj   +1 more source

Transformations of Tonality: A Longitudinal Study of Yodeling in the Muotatal Valley, Central Switzerland [PDF]

Analytical Approaches to World Music, 2020
This paper examines the transformation of tonalities in the Central Switzerland village of Muotatal, a small region attracting the focus of ethnomusicologists for harboring and conserving a unique style of yodel, called juuz.
Wey, Yannick
doaj  

Echoes of the Ethnosphere: The Genesis of an Anthropological Novel

General Anthropology, Volume 32, Issue 1, Page 9-19, Spring 2025.
Conrad Phillip Kottak, Artie Intel
wiley   +1 more source

Reclaiming Oral Knowledge: Indigenous Classical Musicians’ Decolonial Approaches

Nota Bene
Since the nineteenth century, ethnographers and ethnomusicologists have collected Indigenous cultural materials across Turtle Island, archiving them in museums and government spaces.
Emily Granville
doaj   +1 more source

Music deculturation: A traditional thai Music tool for Indonesian Music Adoption

International Journal of Creative and Arts Studies, 2018
There has been foreign music influence on traditional Thai music since Ayutthaya period. Pi Jawa ( Java flute), Klong Jawa ( Java drum) and some traditional Thai song with foreign title have been legally and literally evident in Ayutthaya era.
Surasak Jamnongsarn
doaj   +1 more source

Muzyka bez granic

Politeja, 2019
Music without Borders: Portuguese Fado in a Multicultural Space In 2011 fado was added to the UNESCO Intangible Cultural Heritage List, but much before it started to function as a Portugal’s music trade mark.
Karolina Golemo
doaj   +1 more source

Food, sound, and social interaction: Investigating the cultural significance of music in culinary practices in javanese society [PDF]

BIO Web of Conferences
This study explores the cultural significance of music in culinary traditions, examining how sound fosters social interaction, strengthens community ties, and enhances the sensory experience of food.
Sularso Sularso, Isti Syafitri Andini, Saifuddin M.F., Ratna Ma’rifah Destri, Ratnawati Hermanto Sarwendah, Pratiwi Purbosari Purwanti   +5 more
doaj   +1 more source

Folklore and tradition in ethnomusicology. A comparison of their use and meaning in Italian and Croatian through English

Rasprave Instituta za Hrvatski Jezik i Jezikoslovlje, 2018
The terms folklore and tradition (and the derived adjectives) in relation to music have been employed to define the subject of ethnomusicologists’ study. In this article, the meaning of these words is considered in their historical use in ethnomusicology
Linda Cimardi
doaj   +1 more source

LIGETI’S ROMANIAN CONCERTO: FROM WAX CYLINDERS TO SYMPHONY ORCHESTRA

Studia Universitatis Babeş-Bolyai. Musica, 2013
Beneath the Romanian Concerto’s colourful orchestral surface, evoking the folk-inspired music of both Bartók and Enescu, lies Ligeti’s early activity as a researcher (1949-1950) at the Folklore Institute in Bucharest.
Bianca ŢIPLEA TEMEŞ
doaj