Editorial: What Is Musical Creativity? Interdisciplinary Dialogues and Approaches. [PDF]
Front Psychol, 2021 Schiavio A, Bashwiner DM, Jung RE.
europepmc +1 more source
Editorial: The Evolution of Music. [PDF]
Front Psychol, 2020 Nikolsky A, Perlovsky L.
europepmc +1 more source
Random acts of violins : Oliver Schroer and two British Columbia fiddle communities [PDF]
, 2010 Publisher ...
Hillhouse, Andy
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Music as a Cultural Inheritance System: A Contextual-Behavioral Model of Symbolism, Meaning, and the Value of Music. [PDF]
Behav Soc Issues, 2021 Rehfeldt RA, Tyndall I, Belisle J.
europepmc +1 more source
An Alternative Postulate to see Melody as “Language” [PDF]
, 2007 The paper proposes a way to see melodic features in music/songs in the terms of “letters” constituting “words”, while in return investigating the fulfillment of Zipf-Mandelbrot Law in them.
Situngkir, Hokky
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Anti-Colonial Strategies in Cross-cultural Music Science Research. [PDF]
Music Percept, 2023 Sauvé SA +5 more
europepmc +1 more source
Institutionalizing and materializing music through sound sources: the case of Bruce Bastin’s fado collection in Portugal [PDF]
, 2012 On the 27th of November 2011, in Bali, Indonesia, UNESCO approved the inscription of the Portuguese musical genre, fado on the Representative List of the Intangible Cultural Heritage of Humanity.
Sardo, Susana
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'The Clown and the Ethnomusicologist. Feedback from a scenic heterographic experience'
, 2021 International ...
Tourny, Olivier, Paga, Cédric
openaire +2 more sources
Innovative Corporate Social Responsibility in Botswana: The Debswana Mining Company Study Case [PDF]
, 2011 This paper presents a study case on innovative corporate social responsibility as a very important aspect of management planning and, in the process, explores some trends and new ideas pertaining to corporate social responsibility in mining industries ...
José Ramon Torres SolÃs +1 more
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Fiddle tunes from under the bed : extracting music from Carpenter’s recordings [PDF]
, 2010 Publisher ...
Bradtke, Elaine
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