The Body Onstage: orality and ethnoscenology [PDF]
The analysis of the processes of human knowledge transmission, in general, reveal two ways: orality and writing. Traditionally, the scenic phenomenon is observed and analyzed as a variation of orality. With the creation and assertion of disciplines whose
Alexandra Gouvea Dumas
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Through a Scientific Lens: At the ‘origins’ of theatre anthropology [PDF]
This article is based on the broad network of interests established by Eugenio Barba in the first decade of ISTA with the world of science: a fertile, lively relationship with figures inside and outside the world of theatre.
Mancini, Leonardo
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L’ethnoscénologie. Vers une scénologie générale [PDF]
L’ethnoscénologie est une nouvelle ethnoscience (1995) fondée sur la nécessité de maîtriser toute forme d’ethnocentrisme dans l’étude des arts du spectacle vivant placés dans leur contexte historique, culturel
Pradier, Jean-Marie
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Bananes et mystère: Interview by Julia Varley [PDF]
Julia Varley interviews Jean-Marie Pradier about the circumstances of his meeting with Eugenio Barba in 1975 in Holstebro. At the time he was based in Montevideo, Uruguay, where he had founded an experimental theatre group; Pradier was immediately ...
Pradier, Jean-Marie
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Grać – wychowywać – leczyć. Przyczynek do genezy XX-wiecznej terapii teatrem i tańcem
Today, drama and dance therapy are common methods used in treating mental disorders. They originated at the intersection of artistic, educational, and therapeutic practices.
Anastasia Nabokina
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Savoirs de la représentation et représentations du savoir [André Helbo] [PDF]
Partcipant actif du débat espistémologique autourdes arts du spectacle, l'auteur présente un historique de lasémiologie du spectacle et de l'ethnoscénologie, tout endémontrant leurs dissemblances et proximités, pour en concluresur la necessité d ...
Repertório, Teatro & Dança periódico
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Planteamientos teóricos sobre la ‘ingurgitación emocional’ aplicada a la coreografía de danza conteporánema [PDF]
El presente artículo pretende rescatar el concepto de ‘ingurgitación emocional’ planteado por por Jean-Marie Pradier (2001) como fenómeno emocional inserto en la matriz de la obra de danza contemporánea.
Garzón Albarrán, Manuel
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Pour une scénologie générale [Jérôme Dubois] [PDF]
À partir des considérations historiques etepistémologiques autor de la question du corps au sein dessciences de l'homme, l'auteur revient à la proposition faite parJean-Marie Pradier d'une « scénologie générale » commeconvergence théorique à l'horizon de
Repertório, Teatro & Dança periódico
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As casas e os corpos em manifestações expressivas tradicionais, sagradas e profanas na região do Distrito Federal e seu entorno [PDF]
Este artigo trata de uma reflexão acerca de pesquisas que visam, porregistro e análises sobre tradições de Brasília e sua vizinhança, discutir,partindo do universo teórico da Etnocenologia, o que poderiam serdenominadas duas memórias brasilienses.
Veloso, Jorge das Graças
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Investigate the Actor’s Dramaturgy: theatre anthropology and its scientific applications
Since the birth of Odin Teatret, Eugenio Barba had in mind the quest into the techniques of the actor and his or her ongoing training to reach optimal levels of stage presence.
Martín Fons Sastre
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