Corps et Corporéité au Théâtre: de la sémiotique aux neurosciences. Petit glossaire interdisciplinaire [PDF]
, 2012 RESUMO Este texto aborda os conceitos de corpo e corporeidade, levantando um léxico de palavras que pretendem funcionar como instrumento por intermédio do qual pensa-se uma nova teatrologia. Discute-se a distinção entre corpo e carne e sua junção teórico-
Marco De Marinis
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Isabelle Henrion-Dourcy, Ache lhamo. Jeux et enjeux d’une tradition thétrale tibétaine [PDF]
, 2009 Ache lhamo. Jeux et enjeux d’une tradition thétrale tibétaine L’objet de cette thèse est une monographie du théâtre traditionnel tibétain, ou ache lhamo, souvent appelé lhamo tout court, tel qu’il était joué à l’époque pré-moderne (antérieure à 1950) et ...
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Beyond the Dogma of a ‘National Style’: Dance-Type Narration in Stanislaw Moniuszko’s Operas
Musicology Today, 2018 A privileged position in discourse on 19th-century opera is occupied by narration concerning the emancipation of national styles. In order to work out a fresh approach in scientific study of this subject, it seems crucial that we should abandon the ...
Zieziula Grzegorz
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Estudios de la Presencia: modos de investigar en las Artes Escénicas [PDF]
, 2012 El texto presenta a los Estudios de la Presencia como posibilidad de pensar itinerarios interdisciplinarios para la investigación del espectáculo y la espectacularidad.
Icle, Gilberto
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« Le Diable » de Rita Renoir (1972). Ethnoscénologie d’un mimodrame porno‐sataniste [PDF]
, 2021 Le Diable (The Devil) was staged by Rita Renoir at the Théâtre de Plaisance in Paris in 1972. It is a mime drama devoid of text and music; her body only is present, her breathing, screaming, the forbidden aspects of life and its violence.
Philippe-Meden, Pierre
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Black Performance and Body Dramaturgy in the Batuque
Revista Brasileira de Estudos da Presença, 2017 The expansion of what can be considered as a scene, show or performance is a major contribution of Ethnoscenology and Performance Studies to the field of the Performing Arts, breaking borders that are based on the colonialism of knowledge, which ...
Renata de Lima Silva (Universidade Federal de Goiás, Brazil) +1 more
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Le masque comme sujet : la matérialité du masque, entre forme, usage et savoir-faire [PDF]
The paper The Mask as Subject: the Materiality of the Mask, between Form, Use, and Craftsmanship examines the object mask as a subject, utilised in both live performance and traditional European festivals.
MOISE, Candice
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L’ANTHROPOLOGIE D’ALBERT PIETTE: APPROCHE DE L’INFIME SPECTACULARITE HUMAINE [Jérôme Dubois] [PDF]
, 2010 Albert Piette gagne à être connu. Il est un anthropologue qui propose une méthode originale, à l’encontre des grandes théories de sa discipline, puisque, contrairement aux théories macroscopiques, il se fait phénoménologiquement le chantre des moindres ...
Repertório, Teatro & Dança
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Tracce, scambi, interpretazioni ed eredità. Analisi dei legami tra il Nordisk Teaterlaboratorium e l'America latina [PDF]
, 2016 Odin Teatret formed in 1964. This international theater group first began its activities in Norway and then moved to Denmark. In the course of its long and valuable existence, this group has established a network of contacts throughout the world and ...
De Sanctis, Arianna Berenice
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Body Presence on Stage in Performance Studies and in Ethnoscenology
Revista Brasileira de Estudos da Presença, 2011 This is a brief analysis on the titles of two related cross-disciplinary contemporary perspectives, in the university context, which seek to articulate theory and practice, arts and sciences, creation and criticism, cultural diversity and specific ...
Armindo Jorge de Carvalho Bião
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