Results 1 to 10 of about 610,880 (189)
Music as word: Film music - superlibretto? [PDF]
Muzikologija, 2013 The aim of his paper is to prove that film music can be understood as authentic narrative force: film music as word / discourse and its superlibretto status.
Ćirić Marija
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The effect of music background on the emotional appraisal of film sequences [PDF]
Psihologija, 2011 In this study the effects of musical background on the emotional appraisal of film sequences was investigated. Four pairs of polar emotions defined in Plutchik’s model were used as basic emotional qualities: joy-sadness, anticipation-surprise, fear ...
Pavlović Ivanka, Marković Slobodan
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Functional, emotional, and physical dimensions of voice fatigue among music teachers at a private arts university in Sichuan, China: a cross-sectional survey [PDF]
Frontiers in Public HealthPurposeVoice fatigue is a significant occupational hazard for professional voice users, yet it remains within private higher education institutions in China. This study aims to conduct a multidimensional analysis of voice fatigue in music teachers from a
Zi Zhang, Zi Zhang, Mei Foong Ang
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Ocalić pamięć, ocalić duszę, ocalić sztukę - o zbawiennej roli muzyki Fryderyka Chopina w Pianiście Romana Polańskiego [PDF]
Images, 2015 To Preserve Memory, to Save a Soul, to Save Art: Th e Saving Role of Chopin’s Music in Roman Polanski’s The Pianist The author examines the music from Roman Polanski’s The Pianist, focusing on the functions performed in the film by fragments of four ...
Piotr Pomostowski
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The Comprehensive Influence of Drama Education on Students and Autistic Children [PDF]
SHS Web of Conferences, 2023 With the progress of society, a large number of talents with high comprehensive quality, high communication ability and high cooperation ability are needed. Ordinary exam-oriented education can no longer meet the needs of society. Attention has been paid
Ren Haoyun
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The role of John Williams’ music in Schindler’s List and Saving Private Ryan [PDF]
SHS Web of Conferences, 2023 It can be said that music is an essential part of a film, and a good commercial film has good music to render it to a large extent. There are three levels of music appreciation in film: analyzing the music itself, incorporating the music into the film ...
He Yulin
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Confronting Realities – First Steps Working on Cinematic Autosociobiographies
International Journal of Film and Media Arts, 2020 This paper provides a case study of the artistic research project Confronting Realities – First Steps. Working on Cinematic Autosociobiographies conducted at the Film Academy Vienna/ mdw – University of Music and Performing Arts Vienna, Austria as well ...
Barbara Wolfram +4 more
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Music and the Moving Image, 2014 AbstractAbstract. Film music scholars, composers, directors, and audiences have always implicitly believed that music can help determine the focus of an audience’s visual attention, but researchers have not as yet been able to prove this empirically. Eyetracking research—the process of measuring either the point of gaze or the motion of the eyes—has ...
Mera, Miguel, Stumpf, Simone
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Gaussian Process Synthesis of Artificial Sounds
Applied Sciences, 2020 In this paper, we propose Gaussian Process (GP) sound synthesis. A GP is used to sample random continuous functions, which are then used for wavetable or waveshaping synthesis.
Aristotelis Hadjakos
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