Results 111 to 120 of about 243 (179)
Some of the next articles are maybe not open access.
2021
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter’s theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed,
Guido Almansi, Simon Henderson
openaire +2 more sources
This important book offers a thematic collection of critical essays, ideal for undergraduate courses on modern British theatre, on Harold Pinter’s theatrical works, alongside new interviews with contemporary theatre practitioners. The life and works of Harold Pinter (1930–2008), a pivotal figure in British theatre, have been widely discussed,
Guido Almansi, Simon Henderson
openaire +2 more sources
Modern Drama, 1974
IN 1957, WHEN THE ROOM WAS FIRST PRODUCED at the Hampstead Theatre Club, and again in the following year when Pinter arrived (for a rather brief stay) in the West End with The Birthday Party, two things about his work stood out and attracted much critical comment: one was the atmosphere of half—hidden violence and indefinable menace; the other was the
openaire +1 more source
IN 1957, WHEN THE ROOM WAS FIRST PRODUCED at the Hampstead Theatre Club, and again in the following year when Pinter arrived (for a rather brief stay) in the West End with The Birthday Party, two things about his work stood out and attracted much critical comment: one was the atmosphere of half—hidden violence and indefinable menace; the other was the
openaire +1 more source