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Notes on Heinrich Schenker’s Views on Notation and Editing
Virtanen Timo, Virtanen Timo
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Heinrich Schenker's Conception of Harmony
2020The first detailed study of Schenker's pathbreaking 1906 treatise, showing how it reflected 2500 years of thinking about harmony and presented a vigorous reaction to Austro-Germanic music theory ca. 1900.
Robert W. Wason, Matthew Brown
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2014
Brings together the full text of some 450 letters in first-time English translation, with each section prefaced by an introduction. All the letters are fully annotated and yield information about Viennese society, culture and politics of the time.
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Brings together the full text of some 450 letters in first-time English translation, with each section prefaced by an introduction. All the letters are fully annotated and yield information about Viennese society, culture and politics of the time.
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2019
Der Wiener Musiktheoretiker Heinrich Schenker (1868-1935) lebte als Jude in einem katholisch dominierten Umfeld, innerhalb des Judentums positioniert auf der weiten Skala zwischen Assimilation und Zionismus. Er war im Kronland Galizien in eine polnische Schule gegangen und lebte nach 1918 als Deutscher, als der er sich fühlte, im Staate Österreich, dem
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Der Wiener Musiktheoretiker Heinrich Schenker (1868-1935) lebte als Jude in einem katholisch dominierten Umfeld, innerhalb des Judentums positioniert auf der weiten Skala zwischen Assimilation und Zionismus. Er war im Kronland Galizien in eine polnische Schule gegangen und lebte nach 1918 als Deutscher, als der er sich fühlte, im Staate Österreich, dem
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Heinrich Schenker, Anti-Organicist
Nineteenth Century Music, 1984"Only young Schenker knows how to write about music," Brahms is supposed to have said.' This remark, if authentic-and one hopes it isreferred to Schenker's earliest published writings, the many reviews and critical essays that appeared from 1892 to 1901.
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A Checklist of Essays and Reviews by Heinrich Schenker
Music Analysis, 1988It is more than mere fanaticism that prompts the need for as complete an understanding as possible of a musical figure when that figure is as important as Heinrich Schenker (1868-1935).* The application of the analytical method which Schenker's theories provide gains its fullest resonance only through an understanding of his philosophy and general ...
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