Results 61 to 70 of about 5,160 (190)

Corpus Studies and ‘Close Listening’

Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.
ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley   +1 more source

The Origin of the Dominant: Schoenberg's ‘Strong Progression’ and the Realisation of Implied Virtual Pitches

Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.
ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley   +1 more source

Heinrich Schenker and the Radio [PDF]

Music Analysis, 2015
ABSTRACTHeinrich Schenker had a radio installed in his home on 19 October 1924, less than three weeks after the inception of broadcasting in Austria. Almost overnight, it became his main connection to cultural life in Vienna: from the day his receiver was installed until his death in January 1935, he documented references to over 1,000 broadcasts of ...
openaire   +2 more sources

A surrogate for the soul: Wittgenstein and Schoenberg [PDF]

, 2011
This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
core  

Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony

Music Analysis, Volume 43, Issue 1, Page 36-76, March 2024.
ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley   +1 more source

The Puccini Code [PDF]

, 2013
Written in the style of novelist Dan Brown and using actual quotations from Puccini’s letters and other documents, the author creates the characters Prof.
Burton, Deborah
core  

UEG Week 2024 Moderated Posters [PDF]

United European Gastroenterol J
United European Gastroenterology Journal, Volume 12, Issue S8, Page 201-664, October 2024.
europepmc   +2 more sources

Harmony and Technology Enhanced Learning [PDF]

, 2016
New technologies offer rich opportunities to support education in harmony. In this chapter we consider theoretical perspectives and underlying principles behind technologies for learning and teaching harmony.
Holland, Simon
core  

From Pythagoras to Johann Sebastian Bach: An Exploration in the Development of Temperament and Tuning [PDF]

, 2014
Temperament and tuning are at the core of all music—they are the embodiment of the correlation of music and mathematics in every musical work. In examining the shift from Pythagorean tuning to well temperament, compositional style and philosophy governs ...
Anderson, Molly
core   +1 more source

Relato de Pesquisa: “Procedimentos Analíticos e Princípios Filosóficos – uma Avaliação Crítica da Obra de Heinrich Schenker”

DAPesquisa, 2019
Iniciado em agosto de 2006, o Projeto de Pesquisa “Procedimentos Analíticos e Princípios Filosóficos – uma avaliação crítica da obra de Heinrich Schenker” surgiu do interesse comum dos pesquisadores Guilherme Sauerbronn de Barros (UDESC) e Cristina ...
Guilherme Sauerbronn de Barros
doaj