Results 51 to 60 of about 368,969 (180)
Deframing Schenker(ism): Revisiting Some Principal Tenets of Schenkerian Analysis [PDF]
Since Philip Ewell’s controversial plenary address “Music Theory’s White Racial Frame,” presented in November 2019, both the person and ideas of Heinrich Schenker have been critiqued and reconsidered.
Dodson, Zerek
core +4 more sources
Journal of Cardiovascular Electrophysiology, Volume 35, Issue 9, Page 1766-1778, September 2024.Pulmonary vein reconnection is the leading cause of atrial fibrillation recurrence after pulmonary vein isolation (PVI). A large retrospective analysis suggests the use of the cryoballoon over radiofrequency (RF) ablation for initial PVI, especially in older women, due to fewer observed PV reconnections and longer repeat procedures after RF‐based index
J. Obergassel +16 more
wiley +1 more source
Vetores harmônicos: Ensaio de uma sistemática das progressões harmônicas
Orfeu, 2017 Apresenta-se aqui uma versão em português daquele que é considerado por seu autor, o musicólogo belga Nicolas Meeùs (1944-), como o ensaio fundador da teoria dos vetores harmônicos.
Nicolas Meeùs +2 more
doaj +1 more source
Corpus Studies and ‘Close Listening’
Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley +1 more source
Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley +1 more source
L'opera italiana nella critica musicale di Heinrich Schenker
, 1995 Discusses the writings on Italian opera by Heinrich Schenker.
SANGUINETTI, GIORGIO, Sanguinetti, G
core +1 more source
Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony
Music Analysis, Volume 43, Issue 1, Page 36-76, March 2024.ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley +1 more source
Heinrich Schenker and Moriz violin
, 2011 A study of the personal and musical relationships between Heinrich Schenker and his younger life-long friend Moriz Violin, with particular focus on the 1920s, a time when Violin taught the piano privately in Hamburg.
Drabkin, William
core +1 more source
The Organic Principle of Form: On Sonata Form According to Heinrich Schenker [PDF]
, 2022 O artigo aborda a questão das formas musicais em geral, e a forma sonata em particular, a partir da perspectiva aberta por Heinrich Schenker, caracterizada pelo próprio autor como uma concepção orgânica da música.
Gonçalves Nabuco, Ivan +1 more
core
Heinrich Schenker: the masterwork in music. Vol 1: 1925
, 1994 Volume I of this work is translated here by a team of distinguished theorists. It includes analyses of keyboard works by Bach, Scarlatti, Chopin, Beethoven and Handel and solo violin music by Bach, as well as more general essays on aspects of Schenkerian
Schenker, Heinrich
core +1 more source