Results 31 to 40 of about 5,210 (192)
Adorno on Schenker: Reconstructing the Formation of a Critique
Music Analysis, Volume 39, Issue 2, Page 240-265, July 2020., 2020 ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
wiley +1 more source
Keyboard Fingering and Interpretation: a Comparison of Historical and Modern Approaches [PDF]
, 2007 Earlier systems of keyboard fingering exploit the natural differences of finger strength and utilize frequent changes of position in order to facilitate localized (gestural) phrasing and articulation, among other interpretive nuances.
Swinkin, Jeffrey
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Berichte zur Wissenschaftsgeschichte, Volume 43, Issue 1, Page 48-73, March 2020., 2020 Abstract In the years of National Socialism, and even during World War II, German scientists traveled abroad extensively. While international travels by natural scientists were studied in some detail, travels by scholars in the humanities have been studied to a much lesser degree, even though travel documents offer valuable insights into the regulated ...
Andrea Albrecht, Ralf Klausnitzer
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Bridging the divide : embedding voice-leading analysis in string pedagogy and performance. [PDF]
, 1999 Experience as a music lecturer in higher/further education and as an instrumental teacher suggests that instrumental pedagogy – focused on strings – and music analysis could usefully be brought closer together to enhance performance.
Mawer, Deborah
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Heinrich Schenker and the Radio [PDF]
Music Analysis, 2015 ABSTRACTHeinrich Schenker had a radio installed in his home on 19 October 1924, less than three weeks after the inception of broadcasting in Austria. Almost overnight, it became his main connection to cultural life in Vienna: from the day his receiver was installed until his death in January 1935, he documented references to over 1,000 broadcasts of ...
openaire +2 more sources
Satztechnische und strukturelle Stimmführung im frühen 18. Jahrhundert. Zur Bedeutung des Fugensoggettos für den musikalischen Zusammenhang [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2008 Zur Fuge wird eine Komposition des frühen 18. Jahrhunderts durch bestimmte satztechnische Verfahren, zur Form wird sie durch die funktionale Einheit, zu der sich die Teilmomente des Werks zusammenschließen.
Michael Polth
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Arnold Schönberg’s and Alban Berg’s Personal Libraries as a Source of Study of Artistic Biographies
Современные проблемы музыкознания, 2023 Composers’ personal libraries began to be the objects of research relatively recently, only about a hundred years ago. Meanwhile, it presents a valuable source for research of composers’ artistic biographies, which bears the imprint of the ...
Yulia S. Veksler
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Music Theory, Cultural Transfer, and Colonial Hybridity [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 In this introductory essay, a number of cautionary reminders are suggested for any historian seeking to trace the reception of European music theory outside of its traditional borders.
Thomas Christensen
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Aufführung als Analyse. Heinrich Schenkers Anleitung zum Vortrag von Wolfgang Amadé Mozarts Fantasie c-Moll KV 475 [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2007 Die Anweisungen zum Spiel von Wolfgang Amadé Mozarts Klavierfantasie c-Moll KV 475 aus dem Nachlass der Pianistin Friederike Karger geben detaillierte Auskünfte über Schenkers Klavierspiel und ermöglichen Rückschlüsse auf deren analytische Begründungen ...
Christoph Hust
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Les Ombres Errantes. Vier Sichtweisen auf Satztechnik und Kombinatorik bei François Couperin [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2010 Die vorliegende Studie versammelt vier analytische Sichtweisen auf Couperins Pièce Les Ombres Errantes: eine historisch orientierte, eine modellbezogene, eine schenkerianische und eine motivische.
Markus Roth
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