Results 21 to 30 of about 5,210 (192)
Current Musicology, 2014 In my view, there is a real need for the kind of book that Robert Morgan’s Heinrich Schenker: Music Theory and Ideology aspires to be: a succinct, lucid, and sympathetic summary of the most important works of the most important music theorist, one that ...
Bryan Parkhurst
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Hierarchische und dynamische Einheit. Kontext-Eigenschaften und ›metrische Pfade‹ als Kategorien der Syntaxanalyse bei Mozart [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2015 Die Einheit einer Komposition oder eines Formabschnitts gründet nach Theorien wie derjenigen von Heinrich Schenker darauf, dass sich die erklingenden Ereignisse auf Strukturen beziehen und diese Strukturen wiederum als Teilmomente eines hierarchischen ...
Michael Polth
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Tempo data from 50 performances of Beethovens Appassionata (Op. 57) [PDF]
, 2018 This database holds tempo data from 50 performances of Beethoven’s famous piano sonata Op. 57, also known as the Appassionata. Different versions of the score are for example freely available from the Petrucci Music Library (http://imslp.org).
Brinkmann, Fabian, von Loesch, Heinz
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The Reception and Dissemination of European Music Theories in Brazil. Riemann, Schenker, and Schoenberg [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2018 The history of music theory in Brazil is still not adequately represented in Brazilian musicology. When the Brazilian Association for Music Theory and Analysis (Associação Brasileira de Teoria e Análise Musical – TeMA) was founded in 2014, it took upon ...
Carlos de Lemos Almada +4 more
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Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2019 This article follows on the heels of one by Holly Watkins, who argues that music, “a subsystem of the social system of communication,” can evoke the organic (the bodily and the psychic) not by forming a self-contained unity of parts and whole but through
Matthew Arndt
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Orfeu, 2021 Tendo a experiência em performance como perspectiva do discurso, o artigo parte da contextualização das duas primeiras fases de Schenker com base nas publicações Die Kunst des Vortrags (“A arte da performance”), Der Tonwille (“Análise musical contextual”)
Renata Coutinho de Barros Correia +1 more
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DAPesquisa, 2019 Observando que o Tratado de Harmonia de Heinrich Schenker (1906) articula um conjunto de pares opositores do tipo teórico/prático, geral/particular, diatônico/cromático, fixo/variável etc., o presente artigo propõe uma revisão acerca de uma polarização ...
Djalma Bianco Cordeiro +1 more
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Nervosität und theatrale Hygieneaufklärung im Sowjetrussland der 1920–30er Jahre
Berichte zur Wissenschaftsgeschichte, Volume 43, Issue 3, Page 430-456, September 2020., 2020 Abstract The present contribution analyses the nervousness and neurasthenia discourse in the early Soviet Union. Its focus is on psycho‐hygienic plays staged by the Moscow Theatre for Sanitary Culture. It asks in which images, figures and actions a knowledge about the nervous disorder was presented on stage, which genre traditions and communicative ...
Igor J. Polianski, Oxana Kosenko
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Current Musicology, 2009 Nicholas Cook states the aim of his book to be “construct a meaningful relationship” in place of the perceived “cultural chasm” between our world and Heinrich Schenker’s.
Laura Tunbridge
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Riemann-Rezeption und Reformpädagogik. Der Musiktheoretiker Johannes Schreyer [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2005 Im Sommer des Jahres 1903 erschien in Dresden die Harmonielehre von Johannes Schreyer. Sie gehörte zu den meistgelesenen Harmonielehren ihrer Zeit.
Felix Diergarten
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