Results 21 to 30 of about 368,969 (180)
Otto Vrieslanders Kommentar zu Heinrich Schenkers Harmonielehre. Ein Beitrag zur frühen Schenker-Rezeption [PDF]
Heinrich Schenkers Harmonielehre ist ein Außenseiter: Zwar eröffnet sie Schenkers dreiteiliges Lehrwerk der Musikalischen Theorien und Phantasien, jedoch zählte Schenker selbst die Harmonielehre im Nachhinein nicht zu den drei musiktheoretischen ...
Florian Vogt
doaj +1 more source
Hierarchische und dynamische Einheit. Kontext-Eigenschaften und ›metrische Pfade‹ als Kategorien der Syntaxanalyse bei Mozart [PDF]
Die Einheit einer Komposition oder eines Formabschnitts gründet nach Theorien wie derjenigen von Heinrich Schenker darauf, dass sich die erklingenden Ereignisse auf Strukturen beziehen und diese Strukturen wiederum als Teilmomente eines hierarchischen ...
Michael Polth
doaj +1 more source
The Reception and Dissemination of European Music Theories in Brazil. Riemann, Schenker, and Schoenberg [PDF]
The history of music theory in Brazil is still not adequately represented in Brazilian musicology. When the Brazilian Association for Music Theory and Analysis (Associação Brasileira de Teoria e Análise Musical – TeMA) was founded in 2014, it took upon ...
Carlos de Lemos Almada +4 more
doaj +1 more source
Zur amerikanischen Rezeption der Schichtenlehre Heinrich Schenkers [PDF]
Die Vertreibungspolitik der Nazis hatte zur Folge, daß der überwiegende Teil der europäischen Schenkeristen nach Nordamerika flüchtete. Der an der renommierten ›Mannes School‹ in New York lehrende Hans Weisse und sein Nachfolger Felix Salzer beeinflußten
Patrick Boenke
doaj +1 more source
Schoenberg – Schenker – Bach. A Harmonic, Contrapuntal, Formal Braid [PDF]
This article follows on the heels of one by Holly Watkins, who argues that music, “a subsystem of the social system of communication,” can evoke the organic (the bodily and the psychic) not by forming a self-contained unity of parts and whole but through
Matthew Arndt
doaj +1 more source
Tendo a experiência em performance como perspectiva do discurso, o artigo parte da contextualização das duas primeiras fases de Schenker com base nas publicações Die Kunst des Vortrags (“A arte da performance”), Der Tonwille (“Análise musical contextual”)
Renata Coutinho de Barros Correia +1 more
doaj +1 more source
Observando que o Tratado de Harmonia de Heinrich Schenker (1906) articula um conjunto de pares opositores do tipo teórico/prático, geral/particular, diatônico/cromático, fixo/variável etc., o presente artigo propõe uma revisão acerca de uma polarização ...
Djalma Bianco Cordeiro +1 more
doaj +1 more source
Nervosität und theatrale Hygieneaufklärung im Sowjetrussland der 1920–30er Jahre
Abstract The present contribution analyses the nervousness and neurasthenia discourse in the early Soviet Union. Its focus is on psycho‐hygienic plays staged by the Moscow Theatre for Sanitary Culture. It asks in which images, figures and actions a knowledge about the nervous disorder was presented on stage, which genre traditions and communicative ...
Igor J. Polianski, Oxana Kosenko
wiley +1 more source
Nicholas Cook states the aim of his book to be “construct a meaningful relationship” in place of the perceived “cultural chasm” between our world and Heinrich Schenker’s.
Laura Tunbridge
doaj +1 more source
Adorno on Schenker: Reconstructing the Formation of a Critique
ABSTRACT Since the publication in 1982 of Theodor Adorno's late lecture ‘On the Problem of Musical Analysis’, it has been well established that Adorno had an ambivalent attitude towards Heinrich Schenker's analytical method, to the extent that the two men are usually thought of as antagonists while sharing the same concern for a work‐immanent ...
SEBASTIAN WEDLER
wiley +1 more source

