Results 61 to 70 of about 5,210 (192)
A surrogate for the soul: Wittgenstein and Schoenberg [PDF]
, 2011 This article challenges a widespread assumption, arguing that Wittgenstein and the Austrian composer Arnold Schoenberg had little in common beyond their shared cultural heritage, overlapping social circles in fin-de-ciecle Vienna.
Guter, Eran
core
Corpus Studies and ‘Close Listening’
Music Analysis, Volume 43, Issue 2, Page 191-246, July 2024.ABSTRACT This article provides a detailed response to Markus Neuwirth and Martin Rohrmeier's article ‘Wie wissenschaftlich muss Musiktheorie sein?’, published in the Zeitschrift der Gesellschaft für Musiktheorie in 2016. I undertake to nuance their call for the wholesale adoption of machine‐assisted corpus‐based methods in music theory through a ...
NATHAN JOHN MARTIN
wiley +1 more source
Music Analysis, Volume 43, Issue 2, Page 247-301, July 2024.ABSTRACT In major‐minor tonality, V implies I, and rising fourths, falling thirds and rising seconds between successive chord roots are more common than falling fourths, rising thirds and falling seconds respectively. Possible explanations involve history (in two‐part medieval counterpoint, harmonic major sixths resolved to octaves – maintained in V–I);
RICHARD PARNCUTT
wiley +1 more source
“A small, shabby crystal, yet a crystal”: A life of music in Wittgenstein’s Denkbewegungen [PDF]
, 2019 Ludwig Wittgenstein's life and writings attest the extraordinary importance that the art of music had for him. It would be fair to say even that among the great philosophers of the twentieth century he was one of the most musically sensitive ...
Guter, Eran
core
The algebra of happiness: Yevgeny Zamyatin’s we [PDF]
, 2015 The article was submitted on 05.06.2015.Yevgeny Zamyatin’s novel We is one of the most important “Utopian-Dystopian” novels of the first half of the 20th century and was originally considered a criticism of the Communism established in Russia after the ...
Базиле, Дж. М.
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Sonata Form as Temporal Process: the First Movement of Bruckner's Sixth symphony
Music Analysis, Volume 43, Issue 1, Page 36-76, March 2024.ABSTRACT The timeworn view that Bruckner's sonata form is a motionless architecture devoid of dynamic processes has long contributed his isolation from the mainstream post‐Beethovenian tradition. Taking inspiration from August Halm's (1914) and Ernst Kurth's (1925) approaches, which were aimed at overcoming this view, this article seeks to elucidate ...
SUNBIN KIM
wiley +1 more source
From Pythagoras to Johann Sebastian Bach: An Exploration in the Development of Temperament and Tuning [PDF]
, 2014 Temperament and tuning are at the core of all music—they are the embodiment of the correlation of music and mathematics in every musical work. In examining the shift from Pythagorean tuning to well temperament, compositional style and philosophy governs ...
Anderson, Molly
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UEG Week 2024 Moderated Posters [PDF]
United European Gastroenterol JUnited European Gastroenterology Journal, Volume 12, Issue S8, Page 201-664, October 2024.
europepmc +2 more sources
The Western reception of Sergei Taneyev [PDF]
, 2015 Sergei Taneyev is not a common name in Western musicology. Short studies of his theoretical writings include Allen Forte’s critical review of New Grove (1982), Ellon Carpenter’s survey in Russian Theoretical Thought in Music (1983), and Catherine Nolan’s
Desbruslais, Simon
core
A standard format proposal for hierarchical analyses and representations [PDF]
, 2016 In the realm of digital musicology, standardizations efforts to date have mostly concentrated on the representation of music. Analyses of music are increasingly being generated or communicated by digital means.
Marsden, Alan Alexander, Rizo, David
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