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The idea of historicizing music-theoretical education has a long tradition in Russian pedagogy, but it began to be implemented in practice during the last decades of the twentieth century. At that time, the Ural Conservatory developed and introduced into the educational process new curricula with a historical and stylistic orientation in a ...
V. I. Vyalukhina +4 more
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This collection of essays announces the assembly of music scholars who have incorporated disability studies into their research. Although the hybridization of disciplinary perspectives is hardly new, the careful preparatory arguments in the introduction ...
Sarah Schmalenberger
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Music Theory, Historically-Informed Performance, and The Significance of Cities [PDF]
This article examines three recordings from the early heyday of HIP, made around the same time, all of Beethoven’s First Symphony, Op. 21, focusing on its last movement. It isolates the feature of wind/string balance, widely touted at the time as an advantage of the HIP approach, and measures them at key points of the movement; the resulting ...
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CFI. A Working Hypothesis [PDF]
Il saggio propone un'ipotesi di lavoro per verificare il significato di un'opera d'arte, basandosi sul concetto di 'call for interpretation'. La struttura profonda e il ruolo sociale dell'arte è produrre una richiesta di interpretazione, dato il ...
Gigliucci, Roberto
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SOME ASPECTS OF PERCEPTION IN MUSIC [PDF]
The aim of current article is not to provide a psychological explanation of human reaction to the music, but rather to follow the idea of music phenomena explanations throughout time.
ROŞCA SERGIU
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Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e.
Nico Schüler
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Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance [PDF]
In this chapter, I argue that one can articulate a historically attuned and analytically rich model for understanding jazz in its various inflections. That is, on the one hand, such a model permits us to affirm jazz as a historically conditioned, dynamic
Nielsen, Cynthia R.
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Appropriating “Usûl” in the Tradition of Turkish Folk Music
Melody and rhythm correspond to makam and usûl, respectively, in Turkish music. Edvars, which are important for historical understanding and the transference of Turkish music, are also crucial for understanding makam and usûl.
Onurcan Kaya
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In Listening Through the Noise, Demers presents an aesthetic theory of experimental electronic music accompanied by audio examples which can be found online.
Marilou Polymeropoulou
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Music Theory and Historical Awareness
After clearly defining their respective turfs about twenty-five years ago, American music theory and musicology have more recently drawn somewhat more closely together. The paper seeks to place this trend in a historical context by showing how, in much recent work, the two disciplines share both a repertory of interest to both and a number of critical ...
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