Results 21 to 30 of about 475,709 (246)

THE HISTORICAL AND STYLISTIC APPROACH TO TEACHING MUSICAL-THEORETICAL DISCIPLINES (from the experience of the Music Theory Department at the Ural State Conservatory)

open access: yesArts education and science, 2022
The idea of historicizing music-theoretical education has a long tradition in Russian pedagogy, but it began to be implemented in practice during the last decades of the twentieth century. At that time, the Ural Conservatory developed and introduced into the educational process new curricula with a historical and stylistic orientation in a ...
V. I. Vyalukhina   +4 more
openaire   +1 more source

Review of Neil Lerner and Joseph N. Straus, eds. 2006. Sounding Off: Theorizing Disability in Music. London and New York: Routledge

open access: yesCurrent Musicology, 2007
This collection of essays announces the assembly of music scholars who have incorporated disability studies into their research. Although the hybridization of disciplinary perspectives is hardly new, the careful preparatory arguments in the introduction ...
Sarah Schmalenberger
doaj   +1 more source

Music Theory, Historically-Informed Performance, and The Significance of Cities [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory], 2010
This article examines three recordings from the early heyday of HIP, made around the same time, all of Beethoven’s First Symphony, Op. 21, focusing on its last movement. It isolates the feature of wind/string balance, widely touted at the time as an advantage of the HIP approach, and measures them at key points of the movement; the resulting ...
openaire   +3 more sources

CFI. A Working Hypothesis [PDF]

open access: yes, 2018
Il saggio propone un'ipotesi di lavoro per verificare il significato di un'opera d'arte, basandosi sul concetto di 'call for interpretation'. La struttura profonda e il ruolo sociale dell'arte è produrre una richiesta di interpretazione, dato il ...
Gigliucci, Roberto
core   +2 more sources

SOME ASPECTS OF PERCEPTION IN MUSIC [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2019
The aim of current article is not to provide a psychological explanation of human reaction to the music, but rather to follow the idea of music phenomena explanations throughout time.
ROŞCA SERGIU
doaj  

Reflections on the History of Computer-Assisted Music Analysis I: Predecessors and the Beginnings

open access: yesMuzikološki Zbornik, 2005
This article is the first of a series that focuses on the history of computer-assisted music analysis. This first article discusses the philosophical basis of computer-assisted music analysis, i.e.
Nico Schüler
doaj   +1 more source

Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance [PDF]

open access: yes, 2013
In this chapter, I argue that one can articulate a historically attuned and analytically rich model for understanding jazz in its various inflections. That is, on the one hand, such a model permits us to affirm jazz as a historically conditioned, dynamic
Nielsen, Cynthia R.
core   +1 more source

Appropriating “Usûl” in the Tradition of Turkish Folk Music

open access: yesKonservatoryum, 2023
Melody and rhythm correspond to makam and usûl, respectively, in Turkish music. Edvars, which are important for historical understanding and the transference of Turkish music, are also crucial for understanding makam and usûl.
Onurcan Kaya
doaj   +1 more source

Review of Joanna Demers. 2010. Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford, UK: Oxford University Press. Nick Collins and Julio d’Escriván. 2007. The Cambridge Companion to Electronic Music. Cambridge, UK: Cambridg

open access: yesCurrent Musicology, 2010
In Listening Through the Noise, Demers presents an aesthetic theory of experimental electronic music accompanied by audio examples which can be found online.
Marilou Polymeropoulou
doaj   +1 more source

Music Theory and Historical Awareness

open access: yesMusic Theory Online, 2000
After clearly defining their respective turfs about twenty-five years ago, American music theory and musicology have more recently drawn somewhat more closely together. The paper seeks to place this trend in a historical context by showing how, in much recent work, the two disciplines share both a repertory of interest to both and a number of critical ...
openaire   +1 more source

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