Results 41 to 50 of about 631 (189)
Product Positioning and Incentives to Innovate
Journal of Economics &Management Strategy, EarlyView.ABSTRACT This paper shows that product positioning affects the incentives to invest in process innovation. The result is found using a model of price competition with three firms under horizontal product differentiation—and then extended to a more general Bertrand triopoly.
Emanuele Bacchiega, Paolo G. Garella
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I, 'Madman': An Autosomatography of Schizoaffective Disorder and Mad Subjectivity
Disability Studies Quarterly, 2018 This paper is a learning of schizoaffective disorder through the lenses of slasher-cinema studies literature, subjectivity camera theory, and Mad Studies.
Greg Procknow
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Organizational Soundscapes and the Sonicity of Voices: The Power of the ‘Sounds’ that Carry ‘Words’
Journal of Management Studies, EarlyView.Abstract Organizations are soundscapes – they resonate with sounds and particularly the sounds of voices. Somehow however voice sonics, that is the sounds of voices and not the words carried on those sounds, have escaped attention in management studies. This absence of analysis is peculiar given voice sonics' undoubted influence on management (they may
Nancy Harding, Jackie Ford
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Por um modelo actancial do corpo em metamorfose no cinema de horror
Estudos Semióticos, 2013 Não há como escapar da afirmação de que o cinema de horror postula as agruras do medo na representação grotesca do corpo. Um subgênero que desponta desse tipo de cinema é o horror corporal, em que o efeito de sentido do medo é proveniente da ...
Odair José Moreira da Silva
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“Horror Film”: How the Term Came to Be [PDF]
Monstrum, 2018 Traces how the term "horror film" came to be in 1930s writing on cinema, particularly around the release of Dracula and Frankenstein (both 1931).
Gary D. Rhodes
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Zumbis no cinema brasileiro: uma abordagem paracinemática
Rumores, 2014 Um dos monstros mais populares do imaginário do cinema de horror internacional desde a década de 1930, o zumbi demorou a aparecer no cinema brasileiro, e tem permanecido uma figura marginal nos filmes produzidos no país.
Rodrigo Carreiro
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SAGE Open, 2020 This study aims to examine young Turkish university students’ perceptions on horror movies and the impact of this genre on them. Also, this study aims to gain an understanding of the role of makeup and special effect makeup in horror movies for this ...
Vali Gjinali, Elif Asude Tunca
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The Journal of Popular Culture, EarlyView.ABSTRACT Oscar Wilde's The Picture of Dorian Gray (1890) has generated a long afterlife across global media, extending from literature to theater, film, and fandom. Its Korean musical adaptation, Dorian Gray: A New Musical (2016), illustrates how queer aesthetics are reconfigured under the logics of commercial entertainment and cultural export.
Di Cotofan Wu
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Zagadnienia Rodzajów LiterackichBody horror, which is very often defined as a cinematic subgenre (Cherry 2009, Weismann 2021), utilizes themes of mutation, infection etc. to play on resentment towards human form. Emerging prominently in the 1970s and 1980s and shaped by new filmmaking
Paweł Baran
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Extracting vitalities: Cuts in Indigenous women's bodies‐territories (Brazil)
Medical Anthropology Quarterly, EarlyView.Abstract In this article, I explore the connections between the medicalization of childbirth and environmental devastation through Guarani‐Mbyá understandings of life and the living. I argue that the cuts made to Guarani‐Mbyá women's vaginas (episiotomies) in Brazilian hospitals are experienced and situated on the same cosmopolitical level as the cuts ...
Maria Paula Prates
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