Domestic Violence on the Italian Screen: Representation and Resistance. [PDF]
Violence Against Women, 2023 Luciano B.
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The recognizable face of fear: Domestication and redemption of the animal monster in The Exorcist
Gragoatá, 2013 This article analyses the function of animal traits in the transformation from human to monster in the movie “The Exorcist”, based on the homonymous best-seller by William Peter Blatty.
Marcia Heloisa Amarante Gonçalves
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Mapping movie genre evolution (1994 - 2019) using the role of cultural and temporal shifts: a thematic analysis. [PDF]
F1000Res, 2023 Mohanty A, Mudgal A, Ganguli S.
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Lights, camera, scalpel: a lookback at 100 years of plastic surgery on the silver screen. [PDF]
Eur J Plast Surg, 2021 Panayi AC +5 more
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The vampire in late communist cinema: from internal enemy to foreign threat. [PDF]
Stud East Eur ThoughtMartin AS.
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Dentists in action: a profession on-screen (1913-2013). [PDF]
Br Dent J, 2022 Gierok S, Mirza SA, Karenberg A.
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Lights, Camera, Stigma? Bollywood's Depiction of Mental Health Professionals: A Scoping Review. [PDF]
Indian J Psychol MedMoar DD, Mitra RK, Mittal S.
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(Re)Considering the jump scare in four elements. [PDF]
Front PsycholAcosta EAM, Sears DRW.
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'Somewhere between science and superstition': Religious outrage, horrific science, and The Exorcist (1973). [PDF]
Hist Human Sci, 2021 Chambers AC.
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Enhancing public entertainment with touch: Possibilities and pitfalls. [PDF]
IperceptionSpence C, Gao Y.
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