Results 11 to 20 of about 2,555 (135)
Popular Music Studies in Japan: Reviewing the Journal Popular Music Studies [PDF]
The scholarly interest in popular music has been growing in Japan for the last thirty years since the beginning of the Japanese Association for the Study of Popular Music (JASPM).
Akitsugu Kawamoto
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The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 [PDF]
While live performance and rock authenticity are topics widely investigated across popular music studies, cultural studies, and performance studies, the particular media practices that constitute liveness in rock music have been treated without rigorous ...
Landon Palmer
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REVIEW | Music as Multimodal Discourse: Semiotics, Power and Protest [PDF]
Lyndon C. S. Way & Simon McKerrell Eds. London: Bloomsbury, 2017 ISBN: 9781474264425 (HB)
John Conrad Mullen
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Editorial Introduction: Popular Music in Education, Special Issue [PDF]
This Popular Music in Education (PME) special issue includes contributions discussing developments in several countries, including Argentina, Australia, Brazil, Canada, Germany, Singapore and the United States.
Green, Lucy, Lebler, Don, Till, Rupert
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Insofar as the percussive and dance genre, characteristic of the Afro-descendent population, the candombe, in its diferent variations, is part of what Paul Gilroy has defined as Atlántico Negro.
Viviana Parody
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The Creative Studio Practice of Contemporary Dance Music Sampling Composers [PDF]
This paper seeks to investigate some of the considerations that inform and help to determine the creative studio practice of contemporary sampling composers.
McIntyre, P, Morey, JE
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Producing Music, Producing Myth? Creativity in Recording Studios [PDF]
This paper presents research on the power of myth (Barthes 1972) and commonly accepted beliefs, or “doxa” (Bourdieu 1977), in shaping creative practices inside recording studios.
Paul Thompson
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The Latin Music Database [PDF]
In this paper we present the Latin Music Database, a novel database of Latin musical recordings which has been developed for automatic music genre classification, but can also be used in other music information retrieval tasks.
Kaestner, Celso A.A. +2 more
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German-language Popular Music Studies in Germany, Austria and Switzerland
Following the foundation of IASPM in 1981, the German ASPM (Arbeitskreis Studium Populäre Musik e.V.) was established in 1984. Although there is a free dialogue with IASPM, the organizations operate independently.
Martin Pfleiderer
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Art to Commerce: The Trajectory of Popular Music Criticism [PDF]
This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business.
Thomas Conner, Steve Jones
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