Results 51 to 60 of about 1,798 (192)
New light on sweetness: a brief review of Joseph Imorde’s book on Carlo Dolci [PDF]
Journal of Art Historiography, 2018 A brief review of Joseph Imorde, Carlo Dolci: A Refreshment, Studies in Iconology 8, Leuven-Paris-Bristol, CT: Peeters 2017.
Richard Woodfield
doaj
Les sarcophages romains : problèmes et certitudes
Perspective, 2006 Historiated sarcophagi form a numerically significant and artistically rich body of work in Roman art. Sarcophagi have long been studied by researchers, and in recent decades they have given rise to a profound renewal of knowledge, through inventories ...
François Baratte
doaj +1 more source
Iconography and Iconology of The Aksi Kamisan Photo (13-2-2014) by Fanny Octavianus
Journal of Urban Society's Arts, 2022 The presence of photography as a medium of communication has transformed into an art that not only perpetuates reality in images (visuals), but also poetic values and/or image language.
Novan Jemmi Andrea +2 more
semanticscholar +1 more source
European Journal of Education, Volume 60, Issue 4, December 2025.ABSTRACT Dialogic gatherings have proven to be effective educational interventions for fostering proactive learning attitudes, deepening understanding, and promoting prosocial behaviour. This study examines the impact of artistic dialogic gatherings (ADG) on pre‐service teachers, focusing on their self‐perceived improvements in visual literacy and ...
Dorleta Apaolaza‐Llorente +3 more
wiley +1 more source
The fourth‐dimensional ontology of sankofa epistemology
The Southern Journal of Philosophy, Volume 63, Issue S1, Page S82-S91, September 2025.Abstract Debates about the metaphysical and ontological status of the principles of noncontradiction, excluded middle, identity, sufficient reason, and the identity of indiscernibles raise logical and substantive issues of interest in Western philosophy.
Nkiru Nzegwu
wiley +1 more source
Wandering towards Bruno: synderesis and “synthetic intuition”
Aisthesis, 2015 Focusing on the faculty of intuition, my essay considers different ways that Aby Warburg (1866-1929) and Erwin Panofsky (1892-1968) interpret the late Renaissance cosmographer, Giordano Bruno. It argues that Warburg, in the last year of his life and with
Christopher D. Johnson
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Lexis Supplements, 2022 1. Introduction. – 2. Lucina and the Key. – 3. Lucina and the Open Hand. – 4. Janus and Lucina. – 5. Conclusions.
Damiano Acciarino
semanticscholar +1 more source
European Journal of Pragmatism and American Philosophy, 2012 “[I]t is the belief men betray, and not that which they parade which has to be studied.” This short Peircean sentence has been the subject of important yet underrated attention in the reception of Peirce’s philosophy, passing through the art historians Edgar Wind and Erwin Panofsky and arriving finally at Bourdieu.
openaire +1 more source
Fundamentos para una iconología audiovisual
Communication & Society (Formerly Comunicación y Sociedad), 1988 FOUNDATIONS FOR AN AUDIOVISUAL ICONOLOGY: Films and television programs are today privileged media which publicly institutionalize the concepts and appraisals of human individuals and their lives within society.
Juan José García-Noblejas
doaj
ICONOLOGY OF THE PICTORIAL ELEMENTS OF POEMS BY PRINCE VLADIMIR PALEY
Pedagogical Review, 2022 Сборник «Стихотворения» (1916) князя Владимира Палея не имеет общего сюжета и композиции, представляя разрозненные лирические впечатления, однако композиционную организацию осуществляют внетекстовые изобразительные элементы: заставки и виньетки.
Александр Викторович Марков
semanticscholar +1 more source