Results 241 to 250 of about 2,611,079 (299)

Music and Identity Politics

2017
Contents: Introduction Part I Gender and Sexuality: Sic ego te dilegebam: music, homoeroticism and the sacred in early modern Europe, Todd M. Borgerding On a lesbian relationship with music: a serious effort not to think straight, Suzanne G. Cusick Introduction: voice, queer, technologies, Freya Jarman-Ivens Masculine discourse in music theory, Fred ...
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Popular Music and Identity in Quebec

American Review of Canadian Studies, 2008
Introduction In his book Banal Nationalism, Michael Billig demonstrates that nationalism is by no means a "peripheral phenomenon, present in ethnic separatist movements but removed from common nation states." (1) Instead, citizens are perpetually reminded of their national identities by symbols such as flags, coins, national anthems, and political ...
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Identities of dis/ability and music

British Educational Research Journal, 2012
Centring on a small‐scale capability‐based case study of music provision for adults with profound dis/abilities, this paper considers the significance of music and music education in people's lives. It offers a philosophical defence of music's importance in enjoying a truly human life and then, drawing on an overview of the work of dis/abled artists ...
Ridley, Barbara, Watts, Michael
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Mahler: Music, Reception, Identity

Studia Musicologica, 2020
Writings on the socio-cultural complexities of Mahler’s identity and his music in context vary in relation to four basic motifs: his Jewishness; his Germanness; the partly Slav environment of his early years; and his relationship to the Austro-Hungar-ian Dual Monarchy. Studies combine these elements, or privilege one above another.
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Popular Music, Race and Identity

2015
Race has been central to the discourse of popular music: to its performance, reception and, indeed, to the ways that popular music and its genres have been thought about. This is most obvious in the US where the distinction between ‘black’ and ‘white’ music is generally acknowledged.
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Identity, Music and

The SAGE International Encyclopedia of Music and Culture, 2019

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Music and Eastern Cuban Identity

2017
On the one hand, Cubans from Havana tend to paint themselves as the quintessential representation of Cubanidad (Cubanness) and often enjoy all the visibility, especially from a global perspective. This trend has become even more pronounced since the restoration of diplomatic relations between Cuba and the United States in December 2014.
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Brazilian Identities and Musical Performances

Diogenes, 2000
… our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more ...
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Listening to Identity: Music in 21st century Ireland

, 2017
A. Blake
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Identity, Music, and Festivity in Southern Tunisia

, 2017
Alan Karass
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