The Politics of Iranian Cinema
If there is one element of the politics of Iranian cinema that is understudied, it is that of the relationship between Iranian films and the Iranian film audience.
Lina Khatib
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Designing a Policy Model for Iranian Cinema to Promote its International Status [PDF]
Objective This research seeks to design a policy-making model for Iranian cinema to promote its international position Methods In terms of strategy, this study is qualitative and data-based theory research.
Reza Mir Mehrabi +3 more
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Developing a Model to Gain a Greater Share of International Markets for the Iranian Audio-Visual and Cinema Products [PDF]
Objective: Despite significant success in international festivals, Iranian cinema industry has failed to gain a share of the global markets. This interdisciplinary research, while examining the factors affecting the entry of Iranian cinema industry into ...
Alireza Tabesh +2 more
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Criticism of the Relationship between Iranian Cinema and Mystical Classic Literature [PDF]
Cinema is a modern art which has combined former arts and knowledge and has presented this to the audience with abundant attraction. Reflected thoughts in the past of eastern countries and especially classical literature of our country enjoy a spiritual ...
Ahmad Razi +2 more
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An Analysis of the Relationship between Cultural- Cinematic Policies of Iran and the Movies Introduced as the Representative of Iranian Cinema to the Academy of Oskar [PDF]
In this article the relationship between cultural policies and cinema in Iran is studied through a comparison between cultural-cinematic policies of two different Iranian states during years 1377 and 1389 and their effects on selecting the representative
Azam Ravadrad, Amirhossein Tamannaei
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Social explanation of gender reversal in Masoud Kimiaei's cinema [PDF]
Masoud Kimiaei's cinema has been reread and interpreted many times due to its social and hero-raising approach. Male and female characters in alchemy films establish significant relationships with each other and with their living environment.
Fares Bagheri
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‘Sacred Defence cinema’ is the official title given to Iranian pro-establishment war films concerning mainly the Iran-Iraq War [1980-1988]. The most prominent figure of this filmmaking movement who both made films and wrote about them was the documentary
Kaveh Abbasian
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Urban Image in Iranian Fiction Films [PDF]
Tehran as a symbol of Iranian modernity has been considered in many Iranian fiction films. Representation of Tehran in cinema can be the representation of Iranian modernity revolution.
Azam Ravadrad, Baharak mahmoodi
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Comparative analysis of family values in Iranian and Russian cinema
The purpose of this study is to analyze family values in Iranian and Russian cinema. The main objective of the study is to identify key trends related to the subject of the work based on the analysis of a number of Iranian and Russian films.
M. I. Kosinova, T. Solgi
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Types and Functions of Linguistic Taboos in Iranian Movies [PDF]
The present study explored the linguistic taboos in the Iranian cinema. Twenty Iranian movies in a period of twenty years—1998 to 2018—comprised the main corpus of this study.
Narges Rahmani +2 more
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