The Representation of Social Issues in Iranian Cinema after the Islamic Revolution [PDF]
پژوهشهای راهبردی مسائل اجتماعی ایران, 2019 Introduction Iranian society is full of various social issues. The issues such as poverty, discrimination, inflation, corruption and delinquency, addiction and inefficiency are all part of the constant preoccupations of community members.
yaser Rastergar +2 more
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Benevolent misogyny in cinema A study of the representation of the concept of "women against women" in Iranian cinema in the 1390s [PDF]
زن در فرهنگ و هنر, 2021 This study was conducted to study the representation of the concept of "women against women" in cinematic works. Qualitative work in the field of cultural studies that seeks to explain and analyze a particular set of conflicting actions displayed among ...
Baharak Mahmoodi, melika farahani
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Asghar Farhadi: Acknowledging Hybrid Traditions: Iran, Hollywood and Transnational Cinema [PDF]
, 2016 Post-revolutionary Iranian cinema has been praised for its emotional immediacy and compositional simplicity. The work of Asghar Farhadi stands as an exception to this canon.
Rugo, D
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The Judaic-Christian Perception of Purgatory in the Iranian Cinema [PDF]
Religion & Communication, 2013 \"Purgatory\" or the interim state in afterlife is a well-known concept which has ocuupied a place in both the world\'s conventional cinema, and what is known as the Iranian meaning-oriented movies.
Mohammad Reza Javadi Yeganeh +1 more
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Government and Cinema in France: How to Stand Up against American Cinema [PDF]
Taḥqīqāt-i Farhangī-i Īrān, 2008 Cinema is the most influential cultural instrument in the contemporary world. The seventh art first brought culture in theaters and then in homes by T.V. and modern audio – visual devices.
Hojatollah Ayoobi
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When cultural modifications are taken into account: Ibsen's a doll's house on Iranian screen [PDF]
, 2015 How cross-cultural communications terminate in imperfect understanding can arguably be rendered by critical awareness about culturally differentiating conceptions in the interacting communities.
Baggali, Hamideh, Khiabani, Mahdiyeh T.
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Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan
Storia delle Donne, 2015 Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how
Anna Vanzan
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Examining the Idea of Time based on the Opinions of Gilles Deleuze in the Iranian Cinema of the 90s (with Case Analysis of Movies: Fish and Cat, Enter the Dragon! and The Ridiculous) [PDF]
حکمت و فلسفه, 2023 Gilles Deleuze can undoubtedly be considered one of the most important philosophers and theorists of cinema. In the 1980s, Deleuze wrote two volumes of cinema books, which established the main directions of cinema philosophy as a separate discipline in ...
raouf sarbakhsh, reza sarbakhsh
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Structures in Crisis: A Narrative Approach to Asghar Farhadi’s Films [PDF]
, 2020 This paper proposes an exploration of the films of Iranian director Asghar Farhadi. It employs a methodology based on textual analysis, focusing specifically on the structural design of his films and the focalization processes of his scripts.
Rodríguez Serrano, Aarón
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Renewing Film’s Public Emphasis [PDF]
, 2015 A review of Patricia White Women’s Cinema, World Cinema: Projecting Contemporary Feminisms (Duke University Press, 2015)
Hjort, Mette
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