Results 41 to 50 of about 16,270 (282)

Representation of gender in poster of Iranian blockbuster of the past fifty years [PDF]

open access: yesزن در فرهنگ و هنر, 2015
Nowadays, in discourse of cinema, movie poster is one of the inseparable parts of showing movie. These posters are influenced by their own social and political discourses of the time when they were produced.
Ehsan Aqababaee, Davoud Zahrani
doaj   +1 more source

New configurations for Peruvian cinema: the rising star of Claudia Llosa [PDF]

open access: yes, 2013
After a decade-long hiatus during which the existence of a home-grown cinema in Peru had been threatened by a lack of government and public support, a new generation of directors broke onto the scene in the twenty-first century with a distinctive ...
Barrow, Sarah
core   +1 more source

Piezoresistive Monitoring of Carbon Nanomaterial‐Reinforced Epoxy Composites Under Cyclic and Fatigue Loading: A Review

open access: yesAdvanced Engineering Materials, EarlyView.
Carbon nanomaterial‐reinforced epoxy composites exhibit pronounced piezoresistive behavior, enabling intrinsic damage sensing under cyclic and fatigue loading. This review critically compares carbon nanotube and graphene systems, correlating filler content, percolation threshold, and gauge factor with sensing stability and damage evolution.
J. M. Parente   +3 more
wiley   +1 more source

Leaving Homeland: The Evolving Conceptualization of Migration in the Iranian Cinema of the 2010s

open access: yesMashriq & Mahjar, 2022
Many of the Iranian films released inside Iran during the 2010s address the latest wave of Iranians’ emigrations since 2009. Examining the dominant tropes of migration in their narrative subsets, this article argues that the Iranian cinema of the last ...
Babak Tabarraee
doaj   +1 more source

Spartan Daily, October 2, 1980 [PDF]

open access: yes, 1980
Volume 75, Issue 23https://scholarworks.sjsu.edu/spartandaily/6659/thumbnail ...
San Jose State University, School of Journalism and Mass Communications
core   +8 more sources

How Halide Segregation Governs the Ion Density Evolution and Ionic Performance Losses: From Degradation to Recovery

open access: yesAdvanced Energy Materials, EarlyView.
Halide segregation (HS) in mixed‐halide wide‐bandgap (WBG) perovskites is key to the stability of perovskite‐based tandem cells and a central focus of large‐scale research efforts. Here, we find that the underlying reason for the poor stability of cells prone to HS is enhanced ionic losses during operation. Furthermore, we identified irreversible ionic
Nikhil Kalasariya   +24 more
wiley   +1 more source

Representation of Male Camaraderie and Female Friendship in Iranian Romantic Comedy Genre Textual Analysis of 11 Iranian Romantic Comedies [PDF]

open access: yesزن در فرهنگ و هنر, 2013
Most of Iranian comedy films, before and after the revolution, can be categorized as romantic comedies. These films depict romantic relationship between men and women as a funny incident and constitute the Iranian romantic comedy genre.
Hamidreza Modaghegh
doaj   +1 more source

Zen and the art of film narrative: Towards a transcendental realism in film [PDF]

open access: yes, 2010
Nations and peoples are largely the stories they feed themselves. If they tell themselves stories that are lies, they will suffer the consequences of those lies.
Knudsen, E
core   +2 more sources

Evaluating the Impact of Cellulose Nanocrystals on the Performance of Polycarbonate Thin‐Film Nanocomposite Membranes for Treating Oily Wastewater

open access: yesAsia-Pacific Journal of Chemical Engineering, EarlyView.
ABSTRACT A new type of thin‐film nanocomposite (TFN) membrane was synthesized by incorporating cellulose nanocrystals (CNCs) into a polyvinyl alcohol (PVA) top layer on a polycarbonate (PC) substrate via dip‐coating. The synthesized TFC and TFN membranes (PC/PVA TFC and PC/PVA‐CNC TFN membranes) were evaluated using contact angle measurement, field ...
Habib Etemadi   +5 more
wiley   +1 more source

The representation of women’s gender roles In the Iranian cinema : a study of the stranger (2014) [PDF]

open access: yes, 2018
La película iraní La forastera (Bigāneh, 2014) dirigida por Bahram Tavakoli, es una adaptación libre de A Streetcar Named Desire, de Tennessee Williams. Tanto la obra como su adaptación versan sobre la condición de las mujeres.
Aliakbari Harehdasht, Hossein   +2 more
core  

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