The Visual Signs of Affluence in the Single Figurative Paintings of the Court Women in the Zand and Qajar eras and their Comparison with the Paintings of the Isfahan School [PDF]
Problem Definition: Royal figurative painting, a style of Persian painting formed during the Zand era, continued until the end of the reign of the third Qajar Shah in Iran.
Ameneh Mafitabar
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Study of harem's Signs in Farangi-sazi paintings at School of Isfahan painting [PDF]
The process of imprisoning Safavid princes in the harem caused theSafavid king to gradually withdraw from serious political activity andincrease power in the harem.
بتول maazallahi, zeinab saber
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Reflecting the Philosophical Components of Mulla Sadra in the Content and Form Elegance of "Isfahan School" Paintings [PDF]
Problem Definition: In his philosophical components, Mulla Sadra expressed elegance in such a way that the influence of these thoughts was reflected in the artworks of the Safavid era, especially in the "Isfahan Painting School".
Hassan Razmkhah +4 more
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Reflection of Feminine Erotic in the Safavid Period on the Isfahan School Paintings [PDF]
Early eleventh century A.H. / seventeenth century A.D., the Safavid period is one of the significant times in the history of Iran socially and culturally.
Fatemeh Shahkolahi +3 more
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This qualitative study with an interpretive approach investigates the conceptual and structural interconnections between Isfahan School paintings and Safavid-period interior architecture.
Morvarid Mobasser Ganjavi +1 more
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A Reading of Coffee House Painting and Murals of Isfahan School Based on the Concept of Conversation in Gadamer's Modern Hermeneutic Theory [PDF]
With the beginning of the constitutional movement and social changes, a new chapter in the history of Iranian painting was opened. The history of Iran after constitutionalism was full of conflicts between tradition and modernity, and the idea of ...
Elham Taherian +2 more
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An Analytical Study of the Iranian-Armenian Paintings- Case Studies: Paintings of the Birth of Jesus Christ [PDF]
The origin of Armenian art in Iran dates back to the Median and Achaemenid eras. After the forced migration of the Armenians to Iran by Shah Abbas, the Armenian artistic heritage of Nizi was transferred to a new place.
Rafat Hosseiny nezhad, Nadia Maghuly
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Analytical Study of Carrying Out Methods in the Tash'eer of Khamsa Tahmasbi (Second School of Tabriz) [PDF]
The art of Tash’eer and its various applications during the schools of Shiraz and Herat, finally led to a widespread presence on the margins of books and covers, around written texts and pieces of painting in the second school of Tabriz.
Parviz Haseli +2 more
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The Form and Meaning of the Painters' Signature in "Gulshan Album (Muraqqa'-e Gulshan)" (Case Study: Five Signed Paintings) [PDF]
Problem Definition: Looking at the developments of painting in Iran, we have witnessed the spread of the painter's signature or the insertion of his name since the Timurid period in Iran and the lands influenced by Persian culture such as Gurkan India ...
Zahra Sadat Firouzabadi, Iraj Dadashi
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The Study of Mikhail Bakhtin's Concept of Polyphony and Dialogism in Reza Abbasi's Paintings [PDF]
Reza Abbasi, a prominent painter of the Isfahan painting school, is one of the few Persian painters who attends to the general public and society as a "public painter" and illustrates court orders and figures of kings and nobles as a "court painter" in ...
fatemeh shahkolahi, Asghar Fahimifar
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