Results 1 to 10 of about 213 (118)

Contextual and Visual Adaptation of Baqer Kherdeh's Saqi Nameh with Safavid Saqi Namehs and Paintings [PDF]

open access: yesهنر اسلامی, 2021
The art of painting in Iran during the Islamic period and literature have been closely related to each other. As great literary works have always been one of the most central manifestations of painting. The Safavid period (1355-907 AH) is one of the most
Abed Karimi, Asghar Rezaporian
doaj   +2 more sources

Reflection of Feminine Erotic in the Safavid Period on the Isfahan School Paintings [PDF]

open access: yesزن در فرهنگ و هنر, 2021
Early eleventh century A.H. / seventeenth century A.D., the Safavid period is one of the significant times in the history of Iran socially and culturally.
Fatemeh Shahkolahi   +3 more
doaj   +2 more sources

Iranian Painting, A Government Multi-Purpose Media (Case Study: Safavid Period Garden Painting) [PDF]

open access: yesپیکره, 2022
Problem Definition: As a multifaceted medium, garden paintings have included the social structure and power relations of the Safavids. The scientific challenge of the current research is to identify the ideology of the Safavid government in the hidden ...
Soniya Nouri   +3 more
doaj   +3 more sources

Manifestation of the Masnavi (Masnavi-ye-Manavi) poems related to miniature paintings from the Safavid period [PDF]

open access: yesپیکره, 2022
Problem Definition: The Masnavi, or Masnavi-ye-Ma'navi of Rumi, is one of the best books of ancient Persian mystical literature and Persian wisdom after Islam, whose mystical and literary themes are considered the main themes of the miniature paintings ...
Mahnaz Shayestehfar, Narges Karimi
doaj   +2 more sources

Investigating the Commonalities and Variances Between the Themes Applied in the Safavid and Ottoman Paintings [PDF]

open access: yesهنر اسلامی, 2021
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse lands have reflected many common moral and religious themes; in the interim, due to cultural, religious ties and wars between nations that led to the ...
Mahnaz Shayestehfar, Erfan Khazaei
doaj   +2 more sources

Dignity of women in Quranic verses and jurisprudence of five Islamic religions and its reflection in the painting of Tabriz Safavid school [PDF]

open access: yesهنر اسلامی, 2022
Women have different status in the Abrahamic religions. Of course, there is no doubt that all the prophets were defenders of human values ​​and status, including women, and opposed to oppression.
Mohamad reza Alizaii   +2 more
doaj   +2 more sources

A comparative comparison of women position in the music assemblies of the Timurid and Safavid periods based on the surviving Painting [PDF]

open access: yesزن در فرهنگ و هنر, 2020
During the reign of the Timurids, the art of painting reached such a level of development and evaluation that it became a model for all future schools of painting in Iran.
Habib Shahbazi Shiran   +3 more
doaj   +2 more sources

Porch and Balcony in the Urban Landscape in the Painting of Safavid Period [PDF]

open access: yesInternational Journal of Architecture Arts and Applications, 2016
This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books.
exaly   +2 more sources

Study of Political and Cultural Developments during the Reign of the Safavid Shah Tahmasb and Its Effect on Painting of This Period according to Reflection Theory [PDF]

open access: yesنگره, 2021
During the Safavid period, Iran underwent great political and social changes. King Ismail, the first Safavid king, declared Shi'ism the official religion of Iranian society and in addition to establishing a unified dynasty, prevented its dissolution in ...
Saeedeh Sajadi Baghbadorani   +3 more
doaj   +2 more sources

Dutch or Iranian? Technical study of a seventeenth-century painting on paper from Gesina Ter Bosch’s scrapbook

open access: yesHeritage Science, 2021
A scrapbook compiled between 1660 and 1687 by Gesina ter Borch (1631–1690), a female artist from the small town of Zwolle in the Netherlands, contains an intriguing painting on paper of a full-length portrait of a young Iranian. Although the figure wears
Matthias Alfeld   +2 more
exaly   +2 more sources

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