Contextual and Visual Adaptation of Baqer Kherdeh's Saqi Nameh with Safavid Saqi Namehs and Paintings [PDF]
The art of painting in Iran during the Islamic period and literature have been closely related to each other. As great literary works have always been one of the most central manifestations of painting. The Safavid period (1355-907 AH) is one of the most
Abed Karimi, Asghar Rezaporian
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Reflection of Feminine Erotic in the Safavid Period on the Isfahan School Paintings [PDF]
Early eleventh century A.H. / seventeenth century A.D., the Safavid period is one of the significant times in the history of Iran socially and culturally.
Fatemeh Shahkolahi +3 more
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Iranian Painting, A Government Multi-Purpose Media (Case Study: Safavid Period Garden Painting) [PDF]
Problem Definition: As a multifaceted medium, garden paintings have included the social structure and power relations of the Safavids. The scientific challenge of the current research is to identify the ideology of the Safavid government in the hidden ...
Soniya Nouri +3 more
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Manifestation of the Masnavi (Masnavi-ye-Manavi) poems related to miniature paintings from the Safavid period [PDF]
Problem Definition: The Masnavi, or Masnavi-ye-Ma'navi of Rumi, is one of the best books of ancient Persian mystical literature and Persian wisdom after Islam, whose mystical and literary themes are considered the main themes of the miniature paintings ...
Mahnaz Shayestehfar, Narges Karimi
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Investigating the Commonalities and Variances Between the Themes Applied in the Safavid and Ottoman Paintings [PDF]
The art of painting is the manifestation of national and religious ideas. Muslim artists in diverse lands have reflected many common moral and religious themes; in the interim, due to cultural, religious ties and wars between nations that led to the ...
Mahnaz Shayestehfar, Erfan Khazaei
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Dignity of women in Quranic verses and jurisprudence of five Islamic religions and its reflection in the painting of Tabriz Safavid school [PDF]
Women have different status in the Abrahamic religions. Of course, there is no doubt that all the prophets were defenders of human values and status, including women, and opposed to oppression.
Mohamad reza Alizaii +2 more
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A comparative comparison of women position in the music assemblies of the Timurid and Safavid periods based on the surviving Painting [PDF]
During the reign of the Timurids, the art of painting reached such a level of development and evaluation that it became a model for all future schools of painting in Iran.
Habib Shahbazi Shiran +3 more
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Porch and Balcony in the Urban Landscape in the Painting of Safavid Period [PDF]
This study is analysed on the porch and balcony in safavid period, their role in shape and urban landscape during the period with selection of certain image. The research method in this study is based on visual reasoning and data were collected through visit of museum sites and books.
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Study of Political and Cultural Developments during the Reign of the Safavid Shah Tahmasb and Its Effect on Painting of This Period according to Reflection Theory [PDF]
During the Safavid period, Iran underwent great political and social changes. King Ismail, the first Safavid king, declared Shi'ism the official religion of Iranian society and in addition to establishing a unified dynasty, prevented its dissolution in ...
Saeedeh Sajadi Baghbadorani +3 more
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A scrapbook compiled between 1660 and 1687 by Gesina ter Borch (1631–1690), a female artist from the small town of Zwolle in the Netherlands, contains an intriguing painting on paper of a full-length portrait of a young Iranian. Although the figure wears
Matthias Alfeld +2 more
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