«Qavam Shahnameh», Another Perspective on the Art of Persian Painting in Shiraz during the Safavid Period [PDF]
پیکرهIntroduction: The illustrated manuscript of the «Qavam Shahnameh», preserved in the Reza Abbasi Museum, includes 38 paintings. This Shahnameh was written by Mohammad Qavam Shirazi in 1000 A.H., but the name of the painter(s) is not mentioned.
Babak Attarian, Mostafa Naderloo
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A Comparison between the Structural Components of Women’s and Men’s Clothing Items with those in the Mural Paintings of Feasts in the Main Hall of Chehel Sotoon Palace, Isfahan, Safavid Period (907–1135 AH/1722-1501 AD) [PDF]
هنر و تمدن شرقIn Iranian painting types, one of the issues related to culture is emphasizing the realistic representation of clothing in terms of visual perception. The Safavid era artists have painted brilliant murals in the main hall of the Chehel Sotoon Palace in ...
Elaheh Panjehbashi, Fatemeh Makiabadi
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Portraits of Painters in Islamic Painting “In light of Examples from Safawid era” [PDF]
مجلة کلية الآثار - جامعة القاهرة, 2022 From the Safawid era (907-1145 H./1502 -1732 A.D.) and with the rise of painter’s status in society, a major transition in mode of Persian painting had appeared. It was the technical orientation to display portraits of princes, nobles and artists.
Reham Said el-Sayed Ismail
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The Effect of Environmental Restoration on the Content and Performance of The Artwork (A Comparative case study between the Estrabad Painting School and The School of Tabriz 2) [PDF]
هنر و تمدن شرق, 2023 In the shadow of the attention of the Safavid kings, various art schools were formed in Iranian painting; The first painting school of this era in Tabriz, with its background from Herat, led to the creation of many illustrated manuscripts, including the ...
Mohammad Reza Sakhtemangar +3 more
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Analyzing the Discourse of Power in the Painting «The Conquest of Bahman Castle by Kay Khosrow» in Tahmasp Shahnameh [PDF]
پیکره, 2023 Introduction: The ideological role and function of images in illustrated Shahnamehs, including «Tahmasap Shahnameh», is one of the most widely discussed topics in this valuable work.
Sakine Khatoon Mahmoodi +1 more
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Common Pictorial Elements of Mystical Shiite Concepts in Persian Painting and Architecture (Case Study: Imam Hassan's First Sermon on Characteristics of an Infallible Imam) [PDF]
نگره, 2021 Persian painting is one of the most beautiful reflections of Islamic art, and its spiritual revolution roots in values of society which are manifested through Islamic architecture and decorative elements.
Khashayar Ghazizadeh +3 more
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The Effect of Social and Cultural Evolutions in Safavid and Qajar Dynasties on Women's Portraiture and Iconography [PDF]
زن در فرهنگ و هنر, 2019 In the Safavid and Qajar dynasties, due to the relationship of Iran with the West, the desire of the court to experience the modern world and the desire of the Western world to recognize the East, shaped a kind of traditional and modern dichotomy in many
Marzieh Rashidi, Alireza Taheri
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Reflecting the Philosophical Components of Mulla Sadra in the Content and Form Elegance of "Isfahan School" Paintings [PDF]
پیکره, 2023 Problem Definition: In his philosophical components, Mulla Sadra expressed elegance in such a way that the influence of these thoughts was reflected in the artworks of the Safavid era, especially in the "Isfahan Painting School".
Hassan Razmkhah +4 more
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A Comparative Study of Majnun Image Story Among Wild Beasts of Shah Tahmasp's Khamseh (Five Persian books) with Textile Image Recorded in Boston Museum, Registration number: 1928.2, based on Intertextuality Theory [PDF]
هنر اسلامی, 2019 Story of Layla and Majnun is one of most famous literary works which has attracted all artists and made enrich their works. due to a solidarity of literature with painting, painters among these artists, revived a process of making illustrated works ...
َMohammadreza Sharifzadeh +1 more
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Reflection of Religious and Cultural Beliefs of the Safavid Era in the Symbolism of the Paintings of Ibrahim Mirza’s Haft Awrang (with Emphasis on the Two Stories "Yusuf and Zuleykha" and "Leily and Majnoon") [PDF]
نگره, 2023 Symbolism is a cryptic and effective way of conveying meaning, handled by Iranian painters in different periods. During the Safavid period, the use of symbolic elements became more prominent with the recognition of the Shiite religion and the tendency of
Zohreh Taher +2 more
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