Results 41 to 50 of about 208,053 (276)
(Dis)embodying myths in ancien régime opera: multidisciplinary perspectives [PDF]
, 2012 Throughout the Ancien Régime, mythology played a remarkably vital role in opera, defining such epoch-making works as Claudio Monteverdi’s La favola d’Orfeo (1607) and Christoph Gluck’s Iphigénie en Tauride (1779). The operatic presence of the Greco-Roman
Forment, Bruno
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Revue LISA, 2003 This article surveys several examples of visual, and especially graphic, satires of Italian opera in early eighteenth-century Britain. They often targeted other imported dramatic genres or non-dramatic types of entertainment, such as pantomime and ...
Xavier Cervantes
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Renaissance Studies, EarlyView.Abstract Due to their prolonged and multicultural nature, councils functioned historically as hubs for the exchange of ideas, discourse, diplomacy and rhetoric, reflecting broader cultural trends. In the Middle Ages, no international forums were comparable to ecumenical councils, where diverse and influential groups from various regions convened to ...
Federico Tavelli
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Italian opera stage ODESSA (1831 - 1838 years.) [PDF]
, 2016 Досліджена діяльність італійського оперного театру Одеси періоду антрепризи родини Ризничів та їхніх компаньйонів: формування репертуару, специфіка музично-драматичної діяльності трупи, вокальні та артистичні особливості творчості головних виконавців ...
Бацак, Костянтин Юрійович
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Renaissance Studies, EarlyView.Abstract In the late fifteenth century, the Hungarian royal court at Buda was home to a cosmopolitan community of humanists. In early modern historiography, this cultural milieu has often been interpreted as one of the new, emergent ‘centres’ of the Renaissance in East Central Europe.
Eva Plesnik
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Le Giulietta e Romeo de Riccardo Zandonai : une création nationaliste en ordre de marche
Revue LISA, 2011 This article analyses Riccardo Zandonai’s Giulietta e Romeo as a reading of Shakespeare’s tragedy through the double perspective of the eyes of the composer, immersed in the European literary and musical tradition, and those of the public and of the ...
Emmanuelle Bousquet
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THE ITALIAN OPERA TOURS TO CHISINAU IN 1900-1912 REFLECTED IN PRESS REPORTS FROM MILAN [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Th e article examines the performances of the Italian opera artists on the stage of the Pushkin audience during their tours in Chisinau on the basis of the publications in the Milan theatre press.
Batsak, Konstantin
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Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765) [PDF]
, 2021 Kordula Knaus, Andrea Zedler
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What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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OPERA AND ITALIAN IDENTITY: THE LONG VIEW
Studia Universitatis Babeş-Bolyai. Musica, 2013 The nineteenth century is generally acknowledged as the period in which modern ideas of nation and nationalism crystallised; it is also seen as the period in which those ideas played a part in the process of Italian unification.
Stefano CASTELVECCHI
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