Fireflies in Art: Emphasis on Japanese Woodblock Prints from the Edo, Meiji, and Taishō Periods [PDF]
Insects, 2022 Examining how insects are represented in artwork can provide insight into people’s perceptions and attitudes towards arthropods, as well as document human–insect interactions and how they change through time.
Deirdre A. Prischmann-Voldseth
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Reading an Artist’s Intention from the Composition (RAIC): eye movements and aesthetic experience in Japanese woodblock prints [PDF]
Frontiers in PsychologyBackgroundUnderstanding the cognitive mechanisms and decision-making processes involved in aesthetic judgement of visual art has become a growing focus in recent research. While eye movements have been strongly associated with impression evaluations, the
Yuka Nojo, Antoni B. Chan
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From Materials to Technique: A Complete Non-Invasive Investigation of a Group of Six Ukiyo-E Japanese Woodblock Prints of the Oriental Art Museum E. Chiossone (Genoa, Italy) [PDF]
Sensors, 2022 In the present work, a complete non-invasive scientific investigation of six Utagawa Kunisada’s woodblock prints (nishiki-e) belonging to the Oriental Art Museum “E. Chiossone” (Genoa, Italy), was performed in situ.
Marco Gargano +6 more
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Recent Advances on the Analysis of Polychrome Works of Art: SERS of Synthetic Colorants and Their Mixtures With Natural Dyes [PDF]
Frontiers in Chemistry, 2019 The development and application of proper sample pretreatments is often a key step toward the successful analysis of dyes used as artists' materials by surface-enhanced Raman spectroscopy (SERS).
Anna Cesaratto +2 more
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Natural and synthetic arsenic sulfide pigments in Japanese woodblock prints of the late Edo period [PDF]
Heritage Science, 2018 We recently described the use of an artificial arsenic sulfide pigment in Japanese woodblock prints from the Meiji period (1868–1912): we now expand on our previous work by investigating arsenic sulfide pigments used in Japanese woodblock prints of the ...
Stephanie Zaleski +2 more
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Integrating liquid chromatography mass spectrometry into an analytical protocol for the identification of organic colorants in Japanese woodblock prints. [PDF]
Sci Rep, 2020 AbstractThree Japanese woodblock prints from the Edo period (1603–1868) underwent a scientific investigation with the aim of understanding the changes in the colorants used in Japanese printing techniques. A multi-analytical approach was adopted, combining non-invasive techniques, such as fiber optic reflectance spectroscopy (FORS), Raman spectroscopy,
Vermeulen M +5 more
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Manifestation of the Kabuki actors’ gender in woodblock prints of the Edo Period [PDF]
Argument, 2015 The connection between Kabuki theatre and Japanese woodblock prints of the Edo period (1603–1868), especially in their portraits of actors called yakusha‑e, offers an exceptional opportunity to analyse perceptions of the sex of the actor: as the hero of
Beata ROMANOWICZ
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Correction: Reading an Artist's Intention from the Composition (RAIC): eye movements and aesthetic experience in Japanese woodblock prints [PDF]
Frontiers in PsychologyFrontiers Production Office
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Establishing the production chronology of the iconic Japanese woodblock print ‘Red Fuji’ [PDF]
Arts et sciences, 2021 First printed in 1831, ‘Red Fuji' by Hokusai is one the most iconic Japanese woodblock prints and thousands of impressions were printed from its original set of woodblocks, often in different colour schemes and using different printing effects for different editions. The aim of our research was to systematically study these variations and determine the
Korenberg, Capucine +3 more
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Transkulturel kunsthistorie. Om epistemologi og appropriation af japansk kunst i Danmark
Periskop, 2022 The article discusses transcultural art history with Danish examples about Japanese art. This includes an introduction to the concept of transculturation, and how the concept is used in art history research.
Gunhild Ravn Borggreen
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