Results 21 to 30 of about 3,695 (179)

Cataclysme et pouvoir politique dans l’imaginaire au Japon : l’exemple des namazu-e du séisme de l’ère Ansei (1855)

open access: yesEbisu: Études Japonaises, 2012
This article attempts an analysis of the relationship between natural disasters and politics within the Japanese imagination through studying a collection namazu-e (woodblock prints depicting catfish), their effects during the earthquake of October 1855 ...
Julien Bernardi-Morel
doaj   +1 more source

Intangible Cultural Heritage Reproduction and Revitalization: Value Feedback, Practice, and Exploration Based on the IPA Model

open access: yesComputational Intelligence and Neuroscience, Volume 2022, Issue 1, 2022., 2022
Intangible cultural heritage has a unique value. It is very important to evaluate and discover the value of intangible cultural heritage. Therefore, referring to the relevant references of countries around the world, this paper compares the research status of countries around the world with the development trend of China’s intangible cultural heritage,
Lingling Xiao, Baiyuan Ding
wiley   +1 more source

Analysis on the Inner Relationship between Computer Digital Painting and Traditional Painting

open access: yesMobile Information Systems, Volume 2022, Issue 1, 2022., 2022
With the rapid development of information technology, human civilization has brought painting art into the computer digital age again and computer digital painting has emerged. In this paper, the art perspective of the overall overview, comparative analysis and classification methods, and digital painting as one of the categories of painting art ...
Shi Yin, M. Praveen Kumar Reddy
wiley   +1 more source

Creation and reference characterization of Edo period Japanese woodblock printing ink colorant samples using multimodal imaging and reflectance spectroscopy

open access: yesHeritage Science, 2019
The Library of Congress Prints and Photographs Division holds a large collection of Edo period (1615–1868) nishiki-e, Japanese multicolored woodblock prints.
Tana Villafana, Gwenanne Edwards
doaj   +1 more source

Frank Lloyd Wright & Hiroshige; from the japanese prints to the wasmuth portfolio

open access: yesEGA, 2013
This article will examine the graphic influence of Japanese art, specifically the woodblock prints called Ukiyo-emade by the artist Hiroshige (1797-1858), in the early years of the work carried out by the American architect Frank Lloyd Wright (1867-1959),
Miguel Sancho Mir   +2 more
doaj   +1 more source

The Culture of Play: Kabuki and the Production of Texts [PDF]

open access: yes, 2005
In this essay, I will make a case that performance in Japan has been a catalyst for the artistic production of physical objects, both visual and literary texts.
Gerstle, Andrew
core   +5 more sources

Batendo palmas a uma só mão: Colonialismo, pós-colonialismo e as fronteiras espácio-temporais do modernismo

open access: yesRevista Crítica de Ciências Sociais, 2006
The essay challenges the prevailing view that the West invented modernity and modernism, while the rest imitated the West in derivative forms. It considers the cityscapes of Shanghai and Manhattan to upset common equations of modernization with ...
Susan Stanford Friedman
doaj   +1 more source

Ozone and the deterioration of works of art [PDF]

open access: yes, 1983
Seventeen artists' watercolor pigment samples and two Japanese woodblock prints were exposed to 0.40 ppm ozone in a controlled test chamber for three months.
Cass, Glen R.   +2 more
core   +1 more source

Ukiyoe shunga: Stampe erotiche giapponesi di epoca Edo

open access: yesKervan. International Journal of Afro-Asiatic Studies, 2019
The term ukiyoe shunga (浮世絵春画, literally “erotic paintings of the floating world”) indicates all those woodblock prints and paintings with erotic allusions realized in Japan during the Edo period (1603-1868).
Eleonora Ala
doaj   +1 more source

Evidence of early amorphous arsenic sulfide production and use in Edo period Japanese woodblock prints by Hokusai and Kunisada

open access: yesHeritage Science, 2019
This study explores the evolution of the manufacturing process of artificial arsenic sulfide pigments in Edo-period Japan through the analysis of three impressions of the same print dated from the 1830s and attributed to Katsushika Hokusai (1760–1849 ...
Marc Vermeulen, Marco Leona
doaj   +1 more source

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