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2001
Abstract This Quartet is known as the ‘Emperor’ Quartet, obviously because of its slow movement. It has other claims to greatness, being the third of the wonderful half-dozen in Haydn’s Opus 76, of which we heard the fifth at a previous Sun day Concert recently.1 The remarks on Haydn’s freedom of form which I made on that occasion apply ...
Michael Tilmouth +2 more
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Abstract This Quartet is known as the ‘Emperor’ Quartet, obviously because of its slow movement. It has other claims to greatness, being the third of the wonderful half-dozen in Haydn’s Opus 76, of which we heard the fifth at a previous Sun day Concert recently.1 The remarks on Haydn’s freedom of form which I made on that occasion apply ...
Michael Tilmouth +2 more
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2017
This chapter discusses Haydn’s employment history with the Esterházy family and its important role in his musical development and in the establishment of his fame, his introduction to Handel oratorios during travels to London, his relationships with Johann Peter Salomon and Gottfried van Swieten, factors regarding the history and development of the ...
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This chapter discusses Haydn’s employment history with the Esterházy family and its important role in his musical development and in the establishment of his fame, his introduction to Handel oratorios during travels to London, his relationships with Johann Peter Salomon and Gottfried van Swieten, factors regarding the history and development of the ...
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2005
Abstract Haydn composed this Mass in 1802 and it was first performed in the Mountain Church at Eisenstadt, Hungary (now Austria), on 8 September that year. Soprano, alto, tenor, and bass solos, four-part mixed chorus. Flute, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, organ, and strings.
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Abstract Haydn composed this Mass in 1802 and it was first performed in the Mountain Church at Eisenstadt, Hungary (now Austria), on 8 September that year. Soprano, alto, tenor, and bass solos, four-part mixed chorus. Flute, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, organ, and strings.
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1992
Mit H. beginnt eine neue Epoche der Kompositionsgeschichte: die Neuzeit der Instrumentalmusik. Anders als beim jungen Beethoven oder auch bei Bach grundet H.s Schaffen nirgends auf dem Werk eines namhaften Vorgangers. Wie schwer dies angesichts der epochalen Leistungen H.s zu begreifen ist, zeigt das umfassende und letztlich vergebliche Bemuhen der ...
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Mit H. beginnt eine neue Epoche der Kompositionsgeschichte: die Neuzeit der Instrumentalmusik. Anders als beim jungen Beethoven oder auch bei Bach grundet H.s Schaffen nirgends auf dem Werk eines namhaften Vorgangers. Wie schwer dies angesichts der epochalen Leistungen H.s zu begreifen ist, zeigt das umfassende und letztlich vergebliche Bemuhen der ...
openaire +1 more source