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A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA
Studia Universitatis Babeş-Bolyai. Musica, 2020 In this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in ...
Emanuela-Fabiola PRIP
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Learning Sonata Form Structure on Mozart’s String Quartets
Transactions of the International Society for Music Information Retrieval, 2019 The musical analysis of large-scale structures, such as the classical sonata form, requires to integrate multiple analyses of local musical events into a global coherent analysis.
Pierre Allegraud +6 more
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Tempo, 2021 AbstractDespite an ever-expanding body of literature on Adès's engagement with the music of the past, his use of traditional formal models has attracted little critical comment. That which does exist privileges the relatively straightforward surface articulation of his musical forms over more nuanced accounts.
openaire +3 more sources
Rotationsprinzip und synthetische Reprisenfunktion im Klavierkonzert des späten 18. und frühen 19. Jahrhunderts [PDF]
Zeitschrift der Gesellschaft für Musiktheorie, 2021 James Hepokoski und Warren Darcy haben in Elements of Sonata Theory ein Konzertsatzmodell vorgelegt, das hinsichtlich der formalen Disposition von einem Primat des Sonatensatzes ausgeht. Ihre Interpretation der Konzertsatzform als »Type 5 Sonata« basiert
Pascal Schiemann
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Franz Liszt’s Early Formal Excursions
Musica Theorica, 2023 Franz Liszt reformulated the Classical sonata form by coalescing the structures of a single movement and a multimovement cycle into a two-dimensional sonata form.
Heyner Francisco Rodriguez Solis
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Schumann’s Fantasy Op. 17 and the Strange Case of the Supertonic Sonata
Musica Theorica, 2022 This paper explores some fresh angles (Schenkerian and sonata-formal) on one of Schumann’s most famously intractable works. In the process it draws some larger conclusions regarding Schumann's paradoxical relationship to sonata form and Schenkerian ...
Boyd Pomeroy
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Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems
Musica Theorica, 2022 The aim of this text is to address Leopoldo Miguéz (1850–1902) approach to sonata form in his three symphonic poems. Each one of these works presents a different approach to the rhetorical musical discourse of sonata form and a specific “deformation” of
Norton Dudeque
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Elliott Carter's Analysis of his Piano Sonata (1945-46)
Current Musicology, 2021 In 1948, Elliott Carter penned an analysis of his Piano Sonata for Edgard Varèse. His analysis of the first movement, in particular, makes one ask why Carter did not subsume its recurrent two-tempo structure under “first group” of its sonata form ...
Ira Braus
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Commentary on De Souza and Lokan (2019)
Empirical Musicology Review, 2020 This contribution is a brief commentary on the paper "Hypermetrical Irregularity in Sonata Form: A Corpus Study" by Jonathan De Souza and David Lokan.
Jan Miyake
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Edukacja Muzyczna, 2019 Issues concerning relations between the parts for two instruments and is effect on the tone form in the course of development of the form are discussed in the article.
Maryla RENAT
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