Results 11 to 20 of about 3,674 (178)

The Lyrical Themes of Neukomm’s Piano Sonata in G (1819)

Musica Theorica, 2022
Determining the location of the secondary theme group within a Classical sonata-form exposition relies on taking into account the interplay of disparate musical elements.
L. Poundie Burstein
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On the intermediality of the Lesya Ukrainka essay "Loud strings"

Вісник Харківського національного університету імені В. Н. Каразіна. Серія Філологія. Vìsnik Harkìvsʹkogo nacìonalʹnogo unìversitetu ìmenì V.N. Karazìna. Serìâ Fìlologìâ., 2021
Intermediate approach allows to comprehend the text of Lesya Ukrainka's essay "Loud strings" as an original experiment. The novelty of the research lies in considering the composition of the essay as a sonata form (sonata allegro). As in the sonata form,
Olha Kalenichenko
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Hypermetrical Irregularity in Sonata Form: A Corpus Study

Empirical Musicology Review, 2020
In sonata form, development sections are characterized by tonal, textural, and phrase-structural instability. But are these instabilities counterbalanced by regularity in other musical domains?
Jonathan De Souza, David Lokan
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Commentary on "The Mozart Expositional Punctuation Corpus: A Dataset of Interthematic Cadences in Mozart's Sonata-Allegro Exposition"

Empirical Musicology Review, 2021
No abstract available.
Ben Duane
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SONATA NO. 1 FOR ACCORDION WITH BUTTONS BY NIKOLAI CEAIKIN: MORPHOLOGY, SYNTAX AND INTERPRETATION [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017
This article presents the analysis of the musical language and interpretation problems of Sonata No.1 in h-minor for accordion with buttons signed by the Russian composer Nikolai Ceaikin and dedicated to the accordionist virtuoso Nikolai Rizol who ...
CALMÎȘ DUMITRU
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ANALYTICAL-INTERPRETATIVE VISIONS ON THE SONATA FOR FLUTE AND PIANO BY VLADIMIR CIOLAC [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021
Vladimir Ciolac is one of the most famous representatives of musical culture in the Republic of Moldova since the confl uence of the 20th-21st centuries who carries out a prolifi c activity of conductor, composer and pedagogue.
MELNIC, VICTORIA, SERBINOV, MARIA
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Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form

Muzikološki Zbornik, 2006
Mahler’s Sixth Symphony, Berg’s Piano Sonata, Bartók’s Elegy Op.8b no.1 and Karłowicz’s Returning Waves illustrate concepts of ‘wave’ deformation in post-Wagnerian music.
Stephen Downes
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Struktur dan Harmoni Komposisi Sonata Op. 2 No. 1, 4th Movement Ludwig van Beethoven: Sebuah Kajian Musikologis

Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik
Beethoven adalah salah satu komposer dan pianis yang terkenal dari Jerman pada periode klasik. Semasa hidupnya, Beethoven membuat 32 sonata dan salah satu yang terkenal adalah Sonata Op. 2 No. 1.
Dorothea Belicia Violista Indrawati, Paulus Dwi Hananto   +1 more
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Sonata Form in the Nineteenth-Century Symphony

Empirical Musicology Review, 2017
This paper presents an analytical survey of 283 symphonies dating from 1800–1899. Features of full symphonies include the rate of compositional output over the course of the century, the number, order, and keys of movements, and the prevalence of sonata ...
Steven Craig Cannon
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Sonatentheorien des Ostens. Zum Transfer einer westeuropäischen Formidee nach Russland und in die Sowjetunion bis 1945 [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2018
Der Aufsatz untersucht, inwieweit im musiktheoretischen Schrifttum russischer und sowjetischer Autor*innen des 19. und 20. Jahrhunderts eine Orientierung am westeuropäischen Kanon musikalischer Formen stattfindet und in welchem Umfang dieser durch ...
Wendelin Bitzan
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