Results 11 to 20 of about 5,877,604 (165)
Sonata Form in the Nineteenth-Century Symphony [PDF]
Empirical Musicology Review, 2017 This paper presents an analytical survey of 283 symphonies dating from 1800–1899. Features of full symphonies include the rate of compositional output over the course of the century, the number, order, and keys of movements, and the prevalence of sonata ...
Steven Craig Cannon
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The trio sonata in Restoration England (1660-1714) [PDF]
, 2008 After the Restoration, English musical life underwent a considerable change. Although a great deal of early seventeenth-century music, such as fantasia suites, remained in circulation both inside and outside the court, a new instrumental genre from Italy
Kang, Min-Jung
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J.C. Bach's London keyboard sonatas : style and context [PDF]
, 2003 J. C. Bach's keyboard works include several sets of accompanied sonatas, a genre that enjoyed a wide popularity during the Classical era, but never found its way into the concert repertoire.
Marinho Silva Carvalho, Helen Paula
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The Lyrical Themes of Neukomm’s Piano Sonata in G (1819)
Musica Theorica, 2022 Determining the location of the secondary theme group within a Classical sonata-form exposition relies on taking into account the interplay of disparate musical elements.
L. Poundie Burstein
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On the intermediality of the Lesya Ukrainka essay "Loud strings"
Вісник Харківського національного університету імені В. Н. Каразіна. Серія Філологія. Vìsnik Harkìvsʹkogo nacìonalʹnogo unìversitetu ìmenì V.N. Karazìna. Serìâ Fìlologìâ., 2021 Intermediate approach allows to comprehend the text of Lesya Ukrainka's essay "Loud strings" as an original experiment. The novelty of the research lies in considering the composition of the essay as a sonata form (sonata allegro). As in the sonata form,
Olha Kalenichenko
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Hypermetrical Irregularity in Sonata Form: A Corpus Study
Empirical Musicology Review, 2020 In sonata form, development sections are characterized by tonal, textural, and phrase-structural instability. But are these instabilities counterbalanced by regularity in other musical domains?
Jonathan De Souza, David Lokan
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SONATA NO. 1 FOR ACCORDION WITH BUTTONS BY NIKOLAI CEAIKIN: MORPHOLOGY, SYNTAX AND INTERPRETATION [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017 This article presents the analysis of the musical language and interpretation problems of Sonata No.1 in h-minor for accordion with buttons signed by the Russian composer Nikolai Ceaikin and dedicated to the accordionist virtuoso Nikolai Rizol who ...
CALMÎȘ DUMITRU
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ANALYTICAL-INTERPRETATIVE VISIONS ON THE SONATA FOR FLUTE AND PIANO BY VLADIMIR CIOLAC [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 Vladimir Ciolac is one of the most famous representatives of musical culture in the Republic of Moldova since the confl uence of the 20th-21st centuries who carries out a prolifi c activity of conductor, composer and pedagogue.
MELNIC, VICTORIA, SERBINOV, MARIA
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Modern Musical Waves: Technical and Expressive Aspects of Fin-de-siècle Form
Muzikološki Zbornik, 2006 Mahler’s Sixth Symphony, Berg’s Piano Sonata, Bartók’s Elegy Op.8b no.1 and Karłowicz’s Returning Waves illustrate concepts of ‘wave’ deformation in post-Wagnerian music.
Stephen Downes
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