Results 11 to 20 of about 6,658 (218)

A BRIEF HISTORY OF THE SONATA FORM (I) THE BAROQUE SONATA

Studia Universitatis Babeş-Bolyai. Musica, 2020
In this short study, we aim to define the typologies of the sonata form in the music of the Baroque period, alongside the perspective of some well-known authors (Charles Rosen, James Webster or William Newman) and to propose two analyses – the Sonata in ...
Emanuela-Fabiola PRIP
doaj   +4 more sources

Learning Sonata Form Structure on Mozart’s String Quartets

Transactions of the International Society for Music Information Retrieval, 2019
The musical analysis of large-scale structures, such as the classical sonata form, requires to integrate multiple analyses of local musical events into a global coherent analysis.
Pierre Allegraud, Louis Bigo, Laurent Feisthauer, Mathieu Giraud, Richard Groult, Emmanuel Leguy, Florence Levé   +6 more
doaj   +4 more sources

Sonata Form in the Nineteenth-Century Symphony

Empirical Musicology Review, 2017
This paper presents an analytical survey of 283 symphonies dating from 1800–1899. Features of full symphonies include the rate of compositional output over the course of the century, the number, order, and keys of movements, and the prevalence of sonata ...
Steven Craig Cannon
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Predictive Processing within Music Form: Analysis of Uncertainty and Surprise in Different Sections of Sonata Form

Music & Science
Predictive coding has emerged as a key framework for analyzing music listeners’ behavior and experiences. However, the simplicity of stimuli in empirical research frequently fails to reflect the multifaceted complexity of real-world music, potentially ...
Chen-Gia Tsai
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ADÈS AND SONATA FORMS [PDF]

Tempo, 2021
AbstractDespite an ever-expanding body of literature on Adès's engagement with the music of the past, his use of traditional formal models has attracted little critical comment. That which does exist privileges the relatively straightforward surface articulation of his musical forms over more nuanced accounts.
openaire   +3 more sources

Rotationsprinzip und synthetische Reprisenfunktion im Klavierkonzert des späten 18. und frühen 19. Jahrhunderts [PDF]

Zeitschrift der Gesellschaft für Musiktheorie, 2021
James Hepokoski und Warren Darcy haben in Elements of Sonata Theory ein Konzertsatzmodell vorgelegt, das hinsichtlich der formalen Disposition von einem Primat des Sonatensatzes ausgeht. Ihre Interpretation der Konzertsatzform als »Type 5 Sonata« basiert
Pascal Schiemann
doaj   +1 more source

Franz Liszt’s Early Formal Excursions

Musica Theorica, 2023
Franz Liszt reformulated the Classical sonata form by coalescing the structures of a single movement and a multimovement cycle into a two-dimensional sonata form.
Heyner Francisco Rodriguez Solis
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Schumann’s Fantasy Op. 17 and the Strange Case of the Supertonic Sonata

Musica Theorica, 2022
This paper explores some fresh angles (Schenkerian and sonata-formal) on one of Schumann’s most famously intractable works. In the process it draws some larger conclusions regarding Schumann's paradoxical relationship to sonata form and Schenkerian ...
Boyd Pomeroy
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Program, Tonality, and Sonata Deformation in Leopoldo Miguéz’s Symphonic Poems

Musica Theorica, 2022
The aim of this text is to address Leopoldo Miguéz (1850–1902) approach to sonata form in his three symphonic poems. Each one of these works presents a different approach to the rhetorical musical discourse of sonata form and a specific “deformation” of
Norton Dudeque
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Elliott Carter's Analysis of his Piano Sonata (1945-46)

Current Musicology, 2021
In 1948, Elliott Carter penned an analysis of his Piano Sonata for Edgard Varèse.  His analysis of the first movement, in particular, makes one ask why Carter did not subsume its recurrent two-tempo structure under “first group” of its sonata form ...
Ira Braus
doaj   +1 more source