Results 41 to 50 of about 5,877,604 (165)
Kritik Pertunjukan pada Sonata Biola Ysaÿe ‘Obsession’ Melalui Teori Kritik Seni Feldman
Promusika: Jurnal Pengkajian, Penyajian, dan Penciptaan MusikArtikel ini bertujuan untuk memberikan penilaian dalam bentuk kritik pada pertunjukan (Permainan) Sonata Ysaÿe nomor dua ‘Obsession’ sebagai karya musik yang virtuoso.
Egaputra Tweeda Pinta +2 more
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EOCLASSICAL TRENDS OF THE SONATA IN C FOR SOLO ACCORDION BY ERNST-LOTHAR VON KNORR [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2017 This article presents an analysis of the Sonata in C for solo accordion written by the German composer Ernst-Lothar von Knorr and it is dedicated to the accordion producer Ernst Hohner. This musical composition was written in 1949.
CALMÎȘ DUMITRU
doaj
Commentary on "Sonata Form in the Nineteenth-Century Symphony"
Empirical Musicology Review, 2017 This commentary compares observational corpus analysis and hypothesis-driven analytical methods, and discusses the methods used in Cannon's "Sonata Form in the Nineteenth-Century Symphony" article.
Ben Duane
doaj +1 more source
Gendered Harmony and Unsung Collections: Two Debussy Rabbit Holes
Music Analysis, EarlyView.ABSTRACT This review article on Mark McFarland's The Musical Relationship between Claude Debussy and Igor Stravinsky (2024) offers a critical reading of this recent text and treats its content as a springboard for the exploration of two issues untapped in existing musicological discourse.
Rajan Lal
wiley +1 more source
Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata
Music Analysis, EarlyView.ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
wiley +1 more source
REFLECTION OF THE CLASSICAL TRADITIONS IN SONATA MODERNE FOR ACCORDION OP.2 BY CARMELO PINO [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018 This article reviews the Sonata Moderne for accordion op.2 signed by the American composer Carmelo Pino that is considered the first creation of this kind in the USA.
Calmîș Dumitru
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form
Music Analysis, EarlyView.ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
wiley +1 more source
Current Musicology, 2011 Classical form has again become a central topic in contemporary music-theoretical discourse largely due to the recent publication of two major treatises on the subject, namely William E. Caplin’s Classical Form (1998) and James Hepokoski and Warren Darcy’
Benjamin Konrad Hansberry
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Plant, Cell &Environment, EarlyView.ABSTRACT Arginine metabolism in plants is targeted by phytopathogens such as Pseudomonas syringae strains, which produce toxins that affect enzymes of plant arginine metabolism, causing devastating infections in crops. In this work, the structural and functional properties of plant N‐acetylornithine glutamate acetyltransferase (NAOGAT), the key ...
Maciej Nielipinski +3 more
wiley +1 more source
VARIATION FORM IN MOZART’S PIANO WORKS
Studia Universitatis Babeş-Bolyai. Musica, 2017 This study presents the variation form in Wolfgang Amadeus Mozart’s piano works. At first there is a short description of the variation form. From each genre, where the variation form appears in Mozart’s piano works, I chose the most representative ...
Boglárka Eszter OLÁH
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