Results 31 to 40 of about 5,877,604 (165)
Opus, 2016 This article discusses Leopoldo Miguez’s symphonic poem Prometheus, op. 21 and its programmatic and structural aspects. Firstly, it addresses the programme, where the central character is Prometheus, and its representation in the music.
Norton Dudeque
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TRADITIONAL AND INNOVATIVE APPROACHES TO THE PIANO SONATA IN THE CREATION OF COMPOSERS FROM THE REPUBLIC OF MOLDOVA ON THE BORDERLINE OF THE 20TH-21ST CENTURIES [PDF]
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2021 In the present article the author reviews the piano sonatas penned by national composers on the borderline of the 20th-21st centuries. On the basis of the Piano Sonata by A. Fyodorova, the Sonata-Fantasia by V.
Hatipova, Inna
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Rapid Communications in Mass Spectrometry, EarlyView.ABSTRACT Rationale Ions trapped within a Penning cell (ICR) travel periodic orbits whose frequencies are dependent on their mass‐to‐charge ratio and the value of the magnetic field passing through the trap. Fourier transformation (FT‐ICR) decomposes the signal induced in the detection circuit by the rotation of the ions in the cell after the ...
Patrick Arpino, Michel Heninger
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TCHAIKOVSKY: SONATA-FORM STYLE AND TENDENCIES [PDF]
, 2020 William Caplin’s Formal-Function Theory and James Hepokoski and Warren Darcy’s Sonata Theory were designed to analyze the tendencies of sonata forms written during the eighteenth century, particularly in the works of Haydn, Mozart and Beethoven.
Ferrer Maldonado, Lorena Beatriz
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AN ANALYSIS OF THE PIANO SONATA IN C MINOR, OP. 4 BY FRÉDÉRIC CHOPIN
Studia Universitatis Babeş-Bolyai. Musica, 2021 The aura of the composer Frédéric Chopin penetrated the Western European musical culture, touching massively other cultures as well, up to the Chinese one; the certainty through which we recognize the thrill of this aura is mostly due to the fact that ...
Lioara FRĂŢILĂ
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Small, EarlyView.A multi‐wavelength Raman study of microwave‐assisted hydrothermal Ti3CNTx MXene, supported by theoretical calculations, identifies laser‐power thresholds and evaluates its ambient‐condition stability. ABSTRACT MXenes are emerging 2D nanomaterials that have attracted growing attention for their highly tunable atomic structure, composition, and surface ...
Subrata Ghosh +7 more
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Current Musicology, 2008 The idea that musical form in Liszt’s orchestral music is mainly program-driven has loomed large in twentieth-century musicology. It undoubtedly originates with Liszt himself.
Steven Vande Moortele
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Small, EarlyView.Operando EC‐STM reveals that an NHC‐based SMOF on Au(111), initially frozen in interconnected 1D chains, dynamically reconfigures under cathodic bias into a fluxional structure bearing undercoordinated Au sites while abstracting Au atoms from the support.
Paulina Wira +12 more
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Mozart’s sonata KV 457 and BEETHOVEN’S sonata OP. 13: strinking stylistitic similarities
, 2020 The sonata was the principal musical form of Classicism, from now on as simphony, quartet or sonata of instrumental type. In this way, the sonata became the main means of expression of the composers of the Viennese period -Haydn, Mozart and Beethoven ...
Vela González, Marta
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Sonata Form Revisited: Towards a Cognitive Theory of Formal Interference [PDF]
, 2022 Among the most ubiquitous of forms in Western art music, sonata form has long gripped the imagination of music scholars, leading to perhaps the most innovative sonata theory to date by James Hepokoski and Warren Darcy in 2006.
Hoyle, Hunter
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