Results 61 to 70 of about 6,658 (218)

Review of Janet Schmalfeldt. 2011. In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music. New York: Oxford University Press

open access: yesCurrent Musicology, 2011
Classical form has again become a central topic in contemporary music-theoretical discourse largely due to the recent publication of two major treatises on the subject, namely William E. Caplin’s Classical Form (1998) and James Hepokoski and Warren Darcy’
Benjamin Konrad Hansberry
doaj   +1 more source

Roles of PknB and CslA in Cell Wall Morphogenesis of Streptomyces

open access: yesMolecular Microbiology, EarlyView.
Streptomyces grow by extending hyphal tips, a process regulated by polarisome complexes anchored by DivIVA. Using a genetic screen based on toxic DivIVA overproduction, we identified the kinase PknB as a key regulator of cell envelope construction.
Marta Derkacz   +7 more
wiley   +1 more source

Table 2: Beethoven, Piano Sonata Op. 106, iii, 27 recordings, correlation table

open access: yes, 2022
based on logarithmically scaled deviations of the 16 section tempi from the respective mean (Pearson correlation) Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings ...
Utz, Christian
core  

VARIATION FORM IN MOZART’S PIANO WORKS

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2017
This study presents the variation form in Wolfgang Amadeus Mozart’s piano works. At first there is a short description of the variation form. From each genre, where the variation form appears in Mozart’s piano works, I chose the most representative ...
Boglárka Eszter OLÁH
doaj   +1 more source

Johan Svendsen and Two‐Dimensional Sonata Form

open access: yesMusic Analysis, EarlyView.
ABSTRACT This article discusses progressive formal strategies in the music of Johan Svendsen (1840–1911). Svendsen is one of Norway's foremost composers of large‐scale orchestral music, but his works have so far garnered scant attention in Anglophone scholarship.
BJØRNAR UTNE‐REITAN
wiley   +1 more source

LFA: A Lattice Fourier Analyzer for Quantitative In Situ EC‐STM of Adsorbate–Substrate Superstructures

open access: yesAdvanced Materials Interfaces, Volume 13, Issue 11, 9 June 2026.
Although electrochemical scanning tunneling microscopy provides atomic‐scale access to electrified interfaces, quantitative in situ and operando investigations suffer from drift‐induced distortions. This work introduces the Lattice Fourier Analyzer (LFA), which employs substrate‐anchored affine drift correction in reciprocal space to recover precise ...
Rafał Lewandków   +4 more
wiley   +1 more source

Biological Pesticides as Viable Alternative to Synthetic Pesticides for Sustainable Agriculture and Nutrition: A Systematic Review

open access: yesJournal of Sustainable Agriculture and Environment, Volume 5, Issue 2, June 2026.
ABSTRACT The overuse of synthetic pesticides in agriculture has raised significant environmental and health concerns. Biopesticides have emerged as viable, environmentally compatible alternatives. However, recent comprehensive reviews integrating all biopesticide categories and emphasizing their contribution to synthetic‐pesticide‐free and health‐safe ...
Molalign Assefa   +5 more
wiley   +1 more source

TCHAIKOVSKY: SONATA-FORM STYLE AND TENDENCIES

open access: yes, 2020
William Caplin’s Formal-Function Theory and James Hepokoski and Warren Darcy’s Sonata Theory were designed to analyze the tendencies of sonata forms written during the eighteenth century, particularly in the works of Haydn, Mozart and Beethoven.
Ferrer Maldonado, Lorena Beatriz
core  

Audio Example 1: Beethoven, Piano Sonata Op. 106, iii, mm. 45–95: (exposition: secondary theme 2, closing group; development; recapitulation: main theme/beginning)

open access: yes, 2022
Alfred Brendel, 1970 recording, ℗ 1971–1978 Universal International Music BV Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings by Gulda, Brendel, and other Pianists.”

core  

The Medial Caesura Declined in Schubert’s Sonata-Form Expositions

open access: yesMusica Theorica, 2019
The medial caesura (MC) is a mid-expositional break that divides a sonata-form exposition into two parts. It acts as a tonal and formal proposition, a suggested plan of action that, to be accepted, requires a convincing S-candidate and a key other than ...
Gabriel Navia
doaj   +1 more source

Home - About - Disclaimer - Privacy