Results 81 to 90 of about 6,658 (218)
Recasting the eighteenth century sonata form narrative
Although Robert Schumann’s late style has been the subject of several probing studies in recent years, few scholars have concentrated their attention on the chamber works composed in the autumn of 1851. Perhaps most intriguing are the opp.
Fuchs Sampson, Sarah E.
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Wavelength‐Dependent 3D Printing: Introducing 3D Printed Action Plots
Photochemical action plots – wavelength‐dependent reactivity studies of photoactive molecules – can show a significant mismatch between the peak of photochemical action and maximum absorbance in photopolymerization systems in solution. How this knowledge translates to photocuring in light‐driven 3D printing remains unexplored.
Federica Sbordone +8 more
wiley +1 more source
Classical, Narratological, And Queer Analyses of Sonata Form
Several renowned scholars of sonata form have assumed a dialectical framework for analysis, manifested primarily in analytical narratives driven by hierarchy and thematic conflict. While both theoretical and narratological methodologies have yielded much
Foote, Hannah
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The photo‐depolymerization of polyethylene terephthalate (PET) was monitored in real‐time using a time‐resolved diffusion (TR‐D) NMR acquisition interleaved with a WETsup1H experiment on a benchtop spectrometer. The approach enabled monitoring of the evolution of the diffusion coefficient, molecular mass, and dispersity of the polymer during the ...
Farwa Khalid +3 more
wiley +1 more source
Modeling and Learning Structural Breaks in Sonata Forms [PDF]
Expositions of Sonata Forms are structured towards two cadential goals, one being the Medial Caesura (MC). The MC is a gap in the musical texture between the Transition zone (TR) and the Secondary thematic zone (S). It appears as a climax of energy accumulation initiated by the TR, dividing the Exposition in two parts.
Feisthauer, Laurent +2 more
openaire +3 more sources
Sonata Form in Beethoven\u27s Sixth Symphony
Charles Rosen, in his book, Sonata Forms, discusses the ways in which sonata form elevated pure instrumental music, gripping the attention of audiences “without the seductions of spectacle, the sentiments of poetry, and the emotions of drama, or even the
Kishlansky, Michele
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SERAFIM BUZILĂ'S SONATA FOR VIOLIN AND PIANO: AN EXAMPLE OF COMPONISTIC INVENTIVITY AND A TRIBUTE TO THE GREAT GEORGE ENESCU [PDF]
In his Sonata for Violin and Piano S. Buzila has taken on a rather difficult task: to combine folkloric elements with classical and contemporary elements in a sonata cycle, with its well-defined form, trying to express the psychology of the contemporary
MELNIC VICTORIA, PÎNZARU NATALIA
doaj
Harmony in the Fragment of the C-sharp Minor Sonata (1887) by Alexander Nikolayevich Scriabin [PDF]
The C-sharp minor Sonata, composed in 1887, is an unfinished early work by Alexander Nikolayevich Scriabin. The manuscript, preserved at the Scriabin Museum in Moscow, contains 86 measures of the first movement.
Prajdić Ivor
doaj +1 more source
Attention Control and Audiomotor Processes Underlying Anticipation of Musical Themes while Listening to Familiar Sonata-Form Pieces. [PDF]
Li CW, Tsai CG.
europepmc +1 more source
Sonata form in Haydn's Piano Sonatas
The problem undertaken in this paper is a study of sonata form in regard to the number, types, and key schemes of movements in the pre-Haydn sonatas and a comparison of these with the sonata form as Haydn established it.
Grear, Shirley Anne
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