Results 101 to 110 of about 6,658 (218)

Ludwig van Beethoven, Sonata op. 106 (“Hammerklavier”), third movement, annotated score

open access: yes, 2022
Annotated score of the third movement of Beethoven’s “Hammerklavier” Sonata. The annotations indicate 120 segments according to which tempo data were derived in 27 recordings of this ...

core  

Sonata-allegro form: Mozart and Beethoven [Listening to music]

open access: yes, 2011
Educação Superior::Linguística, Letras e Artes::ArtesPresents a class with the professor at Yale, Craig Wright. A brief foray into the formal characteristics of contemporary popular music is used to launch this lecture on musical form. After a discussion
Wright, Craig
core   +1 more source

Sonata Form in Discontinuities and Bifurcations.

open access: yes, 2010
Este trabalho propõe um novo modelo de análise musical, em complementação à análise harmônica tradicional, com o estabelecimento de dois atratores - a partir da dilatação da estabilidade harmônica a partir do séc.
Ruy Homem de Mello Maciel   +1 more
core   +1 more source

Audio Example 3: Beethoven, Piano Sonata Op. 106, iii, mm. 83–153

open access: yes
Sviatoslav Richter, 1976 recording, ℗ Stradivarius STR 33313 1991 Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings by Gulda, Brendel, and other Pianists.” Music ...

core  

Joseph Haydn and the New Formenlehre: Teaching Sonata Form with His Solo Keyboard Works

open access: yes, 2020
Haydn’s keyboard works are endlessly fascinating, but they have seldom been the focus of any pedagogical approach to sonata form. This paper will demonstrate how these compositions, often neglected in the undergraduate curriculum, can serve as a ...
MacKay, James
core  

Neural Correlates of Phrase Rhythm: An EEG Study of Bipartite vs. Rondo Sonata Form. [PDF]

open access: yesFront Neuroinform, 2017
Martínez-Rodrigo A   +4 more
europepmc   +1 more source

Sonata-allegro form: Mozart and Beethoven [Listening to music]

open access: yes, 2016
Educação Superior::Linguística, Letras e Artes::ArtesPresents a class with the professor at Yale, Craig Wright. A brief foray into the formal characteristics of contemporary popular music is used to launch this lecture on musical form. After a discussion
Wright, Craig
core  

Pushing Boundaries: Hindemith, Clarke and the Sonata Form

open access: yes, 2020
This presentation explores the ways in which Rebecca Clarke and Paul Hindemith, two prominent composers of the 20th century, explore and break conventions on traditional musical structures with Clarke’s Viola Sonata (1919) and Hindemith’s Viola Sonata ...
Graterol, Pedro
core  

Audio Example 2: Beethoven, Piano Sonata Op. 106, iii, mm. 83–153: (development: ending; recapitulation: main theme, secondary theme 1, secondary theme 2, closing group)

open access: yes
Friedrich Gulda, 1967 recording, ℗ 1968 Amadeo Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings by Gulda, Brendel, and other Pianists.” Music Theroy and Analysis 9,

core  

Sonata form Experimenation in Joseph Haydn\u27s String Quartets, Opus 17

open access: yes, 2014
In 1963, Jens Peter Larsen published an article entitled “Sonata Form Problems,” in which he outlines some of Haydn’s unique solutions to sonata-exposition structures.
MacKay, James
core  

Home - About - Disclaimer - Privacy