Results 111 to 120 of about 6,658 (218)

Mid-section cadences in Haydn’s sonata-form movements

Although a half cadence marks the end of the transition section in most sonata-form expositions and recapitulations, in many of Haydn’s sonata-form movements — especially those from around the 1760s — the end of the transition is instead articulated by a
Burstein, Poundie
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Początki polskiej sonaty skrzypcowej

Edukacja Muzyczna, 2019
The contents of the paper show precise analysis of three early Polish pieces of the violin sona- ta type: Sonata in D major for 2 violins and a basso continuo by Stanislav Sylvester Szarzynski, the only saved Polish trio sonata, Sonata in A-major ...
Maryla RENAT
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Sonata form in Alberto Nepomuceno’s Symphony in G minor

O objetivo deste texto é examinar analiticamente a utilização da forma sonata por Alberto Nepomuceno na sua Sinfonia em Sol menor. Três dos quatro movimentos claramente utilizam a forma sonata como sua base estrutural que envolve não somente o esquema ...
Dudeque, Norton
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The Role of Proportion in the First-Movement Expositions of Mozart’s String Quintets

Revista Vortex, 2014
This study aims at discussing the role of balance and proportion in the expositional scope within a Classical Sonata Form movement. While using the approach, model and labels proposed by James Hepokoski and Warren Darcy in Elements of Sonata Theory (2006)
Eduardo Solá Chagas Lima
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Minor-Mode Sonata-Form Dynamics in Haydn\u27s String Quartets

, 2019
The predominance of major-mode works in the repertoire corresponds with the view that minor-mode works are exceptions to a major-mode norm. For example, Charles Rosen’s Sonata Forms, James Hepokoski and Warren Darcy’s Sonata Theory, and William Caplin’s ...
Hall, Matthew J.
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Axial balance of sonata form and composition into a triangle

, 2020
Druhý článek ročníku 2020 cyklu HUDBA A OBRAZ je zaměřen na klíčová tektonická schémata klasicistní hudby a malířství: sonátovou formu a kompozici do trojúhelníku.
Bláha, Jaroslav
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Analogies of sonata form in the poems by Vytautas Bložė and Judita Vaičiūnaitė

, 2011
Straipsnyje gvildenama sonatos formos analogijos poezijoje problematika. Aptariami svarbiausi sonatinės logikos ir plėtotės ypatumai, funkciniai dalių santykiai.
Česnulevičiūtė, Vita
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RONDO FOR VIOLIN AND PIANO BY ALEXANDR MULEAR: HISTORICAL AND COMPOSITIONAL ASPECTS [PDF]

Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
The article reveals historical information regarding the importance of the Rondo for violin and piano in the compositional work of A. Mulear. The composer complements the rondo form with certain elements of the sonata form, associating them with the ...
TROCINEL, DANIELA
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DAS FRAGMENT EINES LISZTSCHEN SELBSPORTRÄTS – „FAUST“

Studia Universitatis Babeş-Bolyai. Musica, 2011
Liszt's Faust Symphony is one of the best-known programmatic symphonic works of the 19th century, but also a paradigmatic realization of the aesthetical approach of the composer.
Miklós FEKETE
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Sonata Form and Key Centres in Richard Strauss’s Metamorphosen

, 2016
This paper examines Richard Strauss’s late work Metamorphosen (1945) through the lens of James Hepokoski and Warren Darcy’s Sonata Theory and Richard Cohn’s neo-Riemannian theory. It argues that sonata form is self-consciously established partway through
Antonioli, Carlo
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