Results 71 to 80 of about 5,877,604 (165)
Recasting the eighteenth century sonata form narrative
Although Robert Schumann’s late style has been the subject of several probing studies in recent years, few scholars have concentrated their attention on the chamber works composed in the autumn of 1851. Perhaps most intriguing are the opp.
Fuchs Sampson, Sarah E.
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Audio Example 4: Beethoven, Piano Sonata Op. 106, iii, mm. 69–122
Rudolf Buchbinder, 1981 recording, ℗ & © 1982 TELDEC Telefunken-Decca Schallplatten GmbH Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings by Gulda, Brendel, and ...
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Este estudo analisa o 1º movimento do Quarteto de Cordas nº 7 de Villa-Lobos e investiga possíveis referências aos quartetos de cordas compostos por Franz Haydn, como Villa-Lobos sugeriu a Arnaldo Estrella.This article analyses the 1st movement of Villa ...
Paulo de Tarso Salles
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Table 2: Beethoven, Piano Sonata Op. 106, iii, 27 recordings, correlation table
based on logarithmically scaled deviations of the 16 section tempi from the respective mean (Pearson correlation) Utz, Christian. 2022. “Form-Functional Ambivalence in Performance: The Third Movement of Beethoven’s ‘Hammerklavier’ Sonata in Recordings ...
Utz, Christian
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SONATA FORM FROM SCARLATTI TO PROKOFIEV
Sonata forms, from binary and ternary to sonata-allegro, have been commonly used and seen as principal structures in instrumental music for centuries.
Lo, Pei-Rong
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The Use of Cyclic Form in Selected Violin Sonatas by Franck, Debussy and Ravel
This study examines the development of cyclical form in French music from the mid-19th century to the early 20th century, focusing on the violin sonatas of César Franck, Claude Debussy, and Maurice Ravel.
Ayşe Turan
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Concierto didáctico interpretado por el trío Sonata Trío Ensemble. Esta agrupación toma su nombre del género Sonata Trío acuñado en el barroco y el cual daría paso a desarrollos posteriores en el ámbito de la música instrumental.
Sonata Trío Ensamble (Colombia) +1 more
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L. VAN BEETHOVEN – PIANO SONATA OP. 110 (I): FORMAL, RHETORICAL, AND SEMANTIC ANALYSIS
This article offers a combined formal, rhetorical, and semantic reading of the first movement (Moderato cantabile molto espressivo) of Beethoven’s Piano Sonata Op. 110 in A flat major (1821).
Adriana PALER, Petruta-Maria COROIU
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СOMPOSITION PECULARITIES OF TRIO NO 2 FOR VIOLIN, CELO AND PIANO BY GH. NEAGA [PDF]
Gh. Neaga este unul dintre cei mai remarcabili compozitori moldoveni din secolul XX care a contribuit semnificativ la dezvoltarea școlii naționale de compoziție. „Trio nr.
COSTICOVA NATALIA
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Sonata form in Haydn's Piano Sonatas
The problem undertaken in this paper is a study of sonata form in regard to the number, types, and key schemes of movements in the pre-Haydn sonatas and a comparison of these with the sonata form as Haydn established it.
Grear, Shirley Anne
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