Results 11 to 20 of about 2,387 (125)
Recordações sobre L.A.Sulerjítski
RUS (São Paulo), 2020 Estas recordações foram escritas pelo ator russo Mikhail Tchékhov (1891-1955) após a morte de seu mestre teatral Leopold Antônovitch Sulerjítski (1872-1916).
Daniela Simone Terehoff Merino
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Katie Mitchell: feminist director as pedagogue [PDF]
, 2017 An Actor Prepares relates the reciprocal dialogue between teacher–director and actor to offer a pedagogical enquiry that moves beyond methodology to focus on the learning exchange.
Berger John +16 more
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Active experiencing in postdramatic performance : affective memory and quarantine theatre’s wallflower [PDF]
, 2018 Postdramatic approaches to performance and Stanislavsky’s methodology seemingly occupy divergent performance traditions. Nonetheless, both traditions often require performers to mine their own lives (albeit to different ends) and operate in an ...
Crossley, TL
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A educação da voz e da fala do ator no método russo da fala cênica
RUS (São Paulo), 2022 Este artigo apresenta uma abordagem sobre a educação da voz e da fala do ator na perspectiva do método russo da fala cênica [stenítcheskaia riétch].
Silvana Ávila
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Conceição/Conception, 2019 O artigo aborda a noção de “trabalho do ator sobre si mesmo”, concebida por Konstantin Stanislávski como princípio operador que permeia as relações entre arte e vida por meio da afirmação dos aspectos concretos do ofício do ator.
Natacha Dias
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Encounters with the Russian Avant-Garde [PDF]
, 2017 Encounters with the Russian Avant ...
Dunne, J.
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REALIST ACTING APPROACH USING STANISLAVSKI CONSTANTIN ACTING METHOD IN EXTRACURRICULAR THEATER IN MAN 1 PALEMBANG [PDF]
, 2021 The purpose of this study was to identify and describe the approach of realist acting with Konstantin Stanislavski's acting method. In this study conducted at MAN 1 Palembang with the number of students who actively participate in extracurricular theater,
Hasan, Hasan +2 more
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Toward the Integration of Theatre History and Affect Studies: Shame and the Rude Mechs’s The Method Gun [PDF]
, 2014 As affect studies has become increasingly central to performance studies and many other fields, a question has emerged: How can one historicize affect? This essay forges one answer through analysis of The Method Gun, a 2008 avant-garde theatrical piece ...
Bernstein, Robin M
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Konstantin Stanislavski and Michael Chekhov: tracing the two practitioners’ “lures” for emotional activation [PDF]
Stanislavski Studies, 2020 Konstantin Stanislavski points out that emotions are like wild animals that can only be lured rather than approached directly; he urges his students not to try to force emotions to arrive, as feelings are independent of the will and cannot be manipulated. Like a whisperer, the actor should lure emotions, gently invite them in, approach them indirectly,
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