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This article is a fragment of the PhD thesis Philosophical and Aesthetic Principles of Tragedy in Calderon and Racine (Department of the History of Foreign Literature, Moscow State University, 1988).
Maria Yu. Ignatieva (Oganisyan)
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The article proves that the ontological poetics of Osip Mandelstam and one of his sources of the concept of the word lie in the doctrine of the Logos of Heraclitus of Ephesus, which is set in the surviving fragments of his treatise On Nature.
Liubov Kikhney
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The Influence of Stanley Mandelstam [PDF]
Michael Green
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On Osip Mandelstam’s Poem “Impressionism” [PDF]
This article focuses on Osip Mandelstam’s poem “Impressionism”. The main objective of this work is to analyze the key motifs and images of the poem and to offer an integral, non-contradictory reading of the poem based on its immediate context as well as ...
Irina Z. Surat
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The myth of the earth in the late lyric poetry of O. E. Mandelstam (Based on the material of the “First Voronezh Notebook”) [PDF]
Mandelstam’s creative thinking is similar to the mythological one. This is refl ected in his lyric poetry as an artistic whole and in individual author’s myths.
Minz, Bella A.
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The Fear of Tautology as Esthetic and Ethic Category [PDF]
The notion of the “fear of tautology” marks Joseph Brodsky’s poem “Notes of a Fern”: “But evil cannot befall a bad human, and the fear of a tautology is a guarantee of prosperity.” The poet thus inverts Socrates’ assertion that no evil befalls a good ...
Arkady B. Kovelman
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The L. I. Mandelstam - M. Planck polemics concerning the theory of dispersion (1907-1908) are taken under consideration. Mandelstam attacked Planck’s theory published in 1904. Planck reacted by publishing a short reply in 1907.
Alexander Pechenkin
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On the Description of Mandelstam’s Socio-Cultural Situation in the 1920s–1930s (Osip Mandelstam and Marietta Shaginyan) [PDF]
Based on previously unused materials, the article examines the literary relations between Osip Mandelstam and Marietta Shaginyan and demonstrates the closeness of their socio-cultural positions since the mid-1920s.
Gleb A. Morev
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Engführungen. Celans etho-poetisches Schreiben „nach“ (und als Teil) der Natur. Ein Essay
This article investigates the relation between nature, ethics, and poetics in the work of Paul Celan, using „Engführung“ [“Stretto”] as a starting point.
Camilla Miglio
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