„Моя двойная жизнь” Сары Бернар в восприятии М. Цветаевой [PDF]
The article is devoted to Marina Tsvetaeva’s perception of Ma Double Vie (1907) by Sarah Bernhardt. The poem Sara v Versal’skom monastyre is analyzed, as well as other works by Tsvetaeva.
Войтехович, Роман
core +4 more sources
Marina Tsvetaeva et l'Europe [PDF]
Le colloque international pluridisciplinaire « Marina Tsvetaeva et l’Europe », qui s’est tenu en décembre 2018 à Strasbourg, a réuni des spécialistes de l’œuvre de cette grande poétesse russe venus de différents pays : France, Allemagne, Italie, Angleterre, Russie.
openaire +1 more source
Sons, Lovers And The Laius Complex In Russian Modernist Poetry [PDF]
In this introduction to the articles written by Jenifer Presto and Stuart Goldberg that focus on the psychosocial tensions between Russian modernist poets of slightly different generations, Sibelan Forrester explores the distinct options of filiation and
Forrester, Sibelan E.S.
core +2 more sources
Superlative in the poetry of Marina Tsvetaeva [PDF]
This article deals with the research of functioning of superlatives as the means of creating expressive intensity and expression in the language of Marina Tsvetayeva’s poetry.
Dolmatova, A. S., Panteleyev, A. F.
core +3 more sources
Vyacheslav V. Ivanov (1929–2017) and his Studies in Prosody and Poetics [PDF]
Vyacheslav V. Ivanov was an outstanding scholar who excelled in almost all disciplines related to linguistic and literary studies.
Pilshchikov, Igor, Vroon, Ronald
core +2 more sources
“Ein Fichtenbaum steht einsam” and the typology of the Russian dolnik (following Osip Brik’s, Boris Jarcho’s and Andrei Fedorov’s remarks on the Russian translations from Heine) [PDF]
This paper develops some of the ideas that were expressed at the meeting of the Translators’ Section of the Soviet Writers’ Union (28 December 1934) where Osip Brik’s talk on new Russian translations from Heinrich Heine was presented and discussed.
Liapin, Sergei, Pilshchikov, Igor
core +2 more sources
Nikolai Evreinov and Edith Craig as Mediums of Modernist Sensibility [PDF]
Nikolai Evreinov (1870-1953) was a Russian playwright, director, and theorist of the theatre who played a leading part in the modernist movement of Russian theatre.
Smith, Alexandra
core +1 more source
Constructing the modernist vision of time:Tsvetaeva’s rendering of Bely’s dynamic worldview in ‘A Captive Spirit' [PDF]
The article examines Tsvetaeva's image of Bely and his search for a new language of expression.
Smith, Alexandra
core +3 more sources
Marina Tsvetaeva et Lev Karsavine
Il n’y avait a priori aucune raison pour que puissent se rencontrer Lev Karsavine — adepte d’une philosophie assez aride et austère, centrée sur la métaphysique chrétienne, nourrie aux joutes théologiques du moyen âge — et Marina Tsvetaeva, l’une des figures les plus représentatives de la poésie russe moderne et de son bouillonnement.
openaire +2 more sources
The Poet As Pretender: Poetic Legitimacy In Cvetaeva [PDF]
В статье рассматривается вопрос о поэтической законности в творчестве М.И. Цветаевой. Черубина де Габриак (псевдоним Е.И. Дмитриевой) служит примером женщины, наказанной (разоблачением и фигуративной казнью) за литературное самозванчество, но Цветаева ее
Forrester, Sibelan E.S.
core +1 more source

