Results 11 to 20 of about 1,676 (165)
Bohemia as the Homeland of the Soul in the Letters of Marina Tsvetaeva to Anna Teskova
Studi Slavistici, 2014 The article examines the letters sent by Marina Tsvetaeva to the translator and public figure Anna Teskova, who was one of the few poet’s Czech intimate friends, whom she met during her stay in Czechoslovakia (1922-1925).
Massimo Tria
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Anuário de Literatura, 2020 Visando contribuir para as pesquisas sobre os suportes da poesia, este artigo dedica-se, em particular, ao estudo da vocoperformance, da voz em performance, a performance vocal.
Natália Barcelos Natalino
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Sons, Lovers And The Laius Complex In Russian Modernist Poetry [PDF]
, 2004 In this introduction to the articles written by Jenifer Presto and Stuart Goldberg that focus on the psychosocial tensions between Russian modernist poets of slightly different generations, Sibelan Forrester explores the distinct options of filiation and
Forrester, Sibelan E.S.
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Marina Tsvetaeva et l'Europe [PDF]
, 2021 Le colloque international pluridisciplinaire « Marina Tsvetaeva et l’Europe », qui s’est tenu en décembre 2018 à Strasbourg, a réuni des spécialistes de l’œuvre de cette grande poétesse russe venus de différents pays : France, Allemagne, Italie, Angleterre, Russie.
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Superlative in the poetry of Marina Tsvetaeva [PDF]
, 2015 This article deals with the research of functioning of superlatives as the means of creating expressive intensity and expression in the language of Marina Tsvetayeva’s poetry.
Dolmatova, A. S., Panteleyev, A. F.
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Sovremennye Issledovaniâ Socialʹnyh Problem, 2017 The author studies the peculiarities of repetition, being one of the ways to build syntactic relations in the represented speech structure, based on the prose by Marina Tsvetaeva.
Olga Pavlovna Puchinina
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“Golden heads” in Marina Tsvetaeva’s dramatic works and her unfulfilled translation of Paul Claudel’s “Tête d’or” [PDF]
Литературный факт, 2019 The message about unfulfilled translation of Paul Claudel’s drama “Tête d’or” by Marina Tsvetaeva appeared at the beginning of January 1921 in the socalled debate on “alterations” in the journal “Bulletin of the theatre”, published by the Theatre ...
Olga Shalygina
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Russian emigration literature in Gustaw Herling-Grudziński’s works
Polilog: Studia Neofilologiczne, 2015 Russian emigration literature in Gustaw Herling-Grudziński’s works All his adult life Grudziński spent in exile so he perfectly knew the problems connected with this – loneliness, alienation, lack of understanding in others, and above all nostalgia for
Patrycja Spytek
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The Prose of Anastasia I. Tsvetaeva: Autobiographical Mythmaking [PDF]
Studia Litterarum, 2017 Anastasia Tsvetayeva’s literary work can be largely defined as autobiographical. Her first pen probe, “Royal reflections,” is a philosophical essay where the author represents herself as a “theomachist” and the debunker of all moral values.
Ekaterina A. Esenina
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Artistic and Pedagogical Interpretation of Polyphonic Letter of Avant-garde Composers on the Example of the Choral Cycle “Dedication to Marina Tsvetaeva” by Sofia Gubaidulina [PDF]
Музыкальное искусство и образование, 2021 The article discussed the issues of artistic interpretation on the example of the choral cycle “Dedication to Marina Tsvetaeva” by S. Gubaidulina. The process of a performer working on a piece of music is a gradual penetration into its content, into ...
Natalia V. Koshkareva
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