Results 31 to 40 of about 1,676 (165)
THE SYMBOLISM OF THE EARTH IN THE POEMS BY M.I. TSVETAEVA
Вестник Волгоградского государственного университета: Серия 2. Языкознание, 2020 The article considers the poems by Marina Tsvetaeva in the aspect of elemental symbolism. The article aims to describe traditional for Russian linguistic culture and individual author’s symbolism of the earth in M.I. Tsvetaeva’s poems.
Marina V. Pimenova +2 more
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Marina Tsvetaeva et Lev Karsavine
, 2021 Il n’y avait a priori aucune raison pour que puissent se rencontrer Lev Karsavine — adepte d’une philosophie assez aride et austère, centrée sur la métaphysique chrétienne, nourrie aux joutes théologiques du moyen âge — et Marina Tsvetaeva, l’une des figures les plus représentatives de la poésie russe moderne et de son bouillonnement.
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THE PROBLEM OF ADDRESSEE IN MARINA TSVETAEVA’S CYCLE “POEMS TO PUSHKIN”
RUDN Journal of Studies in Literature and Journalism, 2016 The article reveals the specifics of the lyrical dialogue of Marina Tsvetaeva with Pushkin. It is hypothesized that addressee factor becomes the organizing factor of artistic consciousness in poetic communication of Tsvetaeva.
L G Kikhney, T S Kruglova
doaj
What Comes after “Post-Soviet” in Russian Studies? [PDF]
, 2010 Slavic Languages and ...
Buckler, Julie Ann
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The Russian iambic tetrameter: The problem of description (Prolegomena to a new paradigm) [PDF]
, 2016 From the very beginning of systematic investigation of the Russian iambic tetrameter (1910s–1940s), the proportion of stresses on the first and second ictus of the line was chosen as its main rhythmic characteristic.
Liapin, Sergei
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MOTHER – MUSIC – POETRY: ABOUT MATRILINEALITY IN MARINA TSVETAEVA’S AUTOBIOGRAPHICAL PROSE [PDF]
Hum, 2014 Marina Tsvetaeva, a distinguished poet of The Silver Age, has formed her childhood autobiographical prose so that the central theme becomes her own becoming a poet.
Adrijana Vidić
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Ariane ou l’immortel féminin de Marina Tsvetaeva
Nouveaux Cahiers de MargeL’article est consacré à la pièce de théâtre Ariane de Marina Tsvetaeva, écrite en 1923-1924, inspirée de la légende de Thésée. Il analyse le processus de réécriture et la réactualisation du mythe.
Caroline Bérenger
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Intertextuelle Beziehungen in den Werken von Marina Zwetajewa und Michal Wrubel
Polilog: Studia Neofilologiczne, 2014 Intertextuality in works of Marina Zwetajewa and Michal Vrubel The paper shows the correlation between Marina Tsvetaeva’s poetry and Mikhail Vrubel’s paintings. The common motifs of both artists’ works, biblical as well as those referring to the canon,
Inna Panek
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The Poet As Pretender: Poetic Legitimacy In Cvetaeva [PDF]
, 2008 В статье рассматривается вопрос о поэтической законности в творчестве М.И. Цветаевой. Черубина де Габриак (псевдоним Е.И. Дмитриевой) служит примером женщины, наказанной (разоблачением и фигуративной казнью) за литературное самозванчество, но Цветаева ее
Forrester, Sibelan E.S.
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Shakespeare in Marina Tsvetaeva’s Eyes
Mediterranean Journal of Social Sciences, 2015 The article for the first time systematizes the facts describing perception of creative works of a great English writer W. Shakespeare by Russian poetess M. I. Tsvetaeva. The actual material is presented in all its variety and not only well-known works “Hamlet” poems of 1823 “Ophelia—to Hamlet” (“Hamlet—fasten—tightly…”), “Ophelia—in protection of ...
Dmitry Nikolayevich Zhatkin +1 more
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