Results 31 to 40 of about 1,630 (164)
« Tout poète est par son essence un émigré » : Marina Tsvetaeva et l’exil
In my article, I intend to sketch briefly the classification of Emigré Russian women writers (1920–1940) and to analyze autobiographical texts as well as correspondence of Russian poet Marina Tsvetaeva.M.
Youlia Maritchik-Sioli
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MARINA TSVETAEVA AS A CULTURAL FIGURE IN THE LITERARY WORKS OF BILJANA JOVANOVIĆ AND IRENA VRKLJAN
This paper presents the early reception of Marina Tsvetaeva's poetry, prose, and essays in Yugoslav, or more specifically, Serbian translated literature, with the intention to examine the influence of the Russian poet as an exemplary cultural figure in ...
Sonja Veselinović
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THE PROBLEM OF ADDRESSEE IN MARINA TSVETAEVA’S CYCLE “POEMS TO PUSHKIN”
The article reveals the specifics of the lyrical dialogue of Marina Tsvetaeva with Pushkin. It is hypothesized that addressee factor becomes the organizing factor of artistic consciousness in poetic communication of Tsvetaeva.
L G Kikhney, T S Kruglova
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This is a biography of the nineteenth century poet, Emily Dickinson.Women's and Gender ...
Jasraj, Anushka A.
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MOTHER – MUSIC – POETRY: ABOUT MATRILINEALITY IN MARINA TSVETAEVA’S AUTOBIOGRAPHICAL PROSE [PDF]
Marina Tsvetaeva, a distinguished poet of The Silver Age, has formed her childhood autobiographical prose so that the central theme becomes her own becoming a poet.
Adrijana Vidić
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What Comes after “Post-Soviet” in Russian Studies? [PDF]
Slavic Languages and ...
Buckler, Julie Ann
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Ariane ou l’immortel féminin de Marina Tsvetaeva
L’article est consacré à la pièce de théâtre Ariane de Marina Tsvetaeva, écrite en 1923-1924, inspirée de la légende de Thésée. Il analyse le processus de réécriture et la réactualisation du mythe.
Caroline Bérenger
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Introduction. Attributive vocabulary often becomes the subject of research in cognitive linguistics. The study focuses on the description of the specifics of the verbalization of the hyperconcept Quality by means of epithet complexes in M.
V. M. Gryaznova, S. A. Gubanov
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Intertextuelle Beziehungen in den Werken von Marina Zwetajewa und Michal Wrubel
Intertextuality in works of Marina Zwetajewa and Michal Vrubel The paper shows the correlation between Marina Tsvetaeva’s poetry and Mikhail Vrubel’s paintings. The common motifs of both artists’ works, biblical as well as those referring to the canon,
Inna Panek
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Don’t lea—17 March 192318 March 1923(Tracks)19 March 192320 March 1923To lay you to rest...25 March 1923Souls come to see.25 March 192325 March 192327 March 19235 April 192311 April ...
Marina Tsvetaeva, Mary Jane White
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